"I can spot empty flattery and know exactly where I stand. In the end it's really only my own approval or disapproval that means anything"
About this Quote
There’s a quiet steel in this line, the kind that only becomes audible after you’ve spent years being narrated by other people. As a pop star, Faltskog lived inside a machine that runs on praise: fans, press, label executives, even well-meaning friends all telling you who you are and how you should feel about it. “Empty flattery” isn’t just bad compliments; it’s currency, a way the industry smooths over demands and keeps performers compliant. Her claim that she can “spot” it reads like hard-earned pattern recognition, not a humblebrag.
The second sentence sharpens the blade. “Exactly where I stand” isn’t about ranking; it’s about control. Fame constantly shifts the ground under you, and approval becomes weather - sudden, loud, and indifferent. Faltskog refuses to build a self on that climate. The pivot to “in the end” signals exhaustion with the public-facing version of confidence. What she’s defending is privacy of judgment: a space where the audience can’t reach.
The subtext is also a small rebellion against the way female musicians are expected to be grateful, agreeable, and endlessly receptive to validation. By naming her own “approval or disapproval” as the only verdict that counts, she’s not denying community or critique; she’s drawing a boundary between feedback and identity. It’s a survival strategy disguised as self-assurance: if you let applause define you, silence will erase you.
The second sentence sharpens the blade. “Exactly where I stand” isn’t about ranking; it’s about control. Fame constantly shifts the ground under you, and approval becomes weather - sudden, loud, and indifferent. Faltskog refuses to build a self on that climate. The pivot to “in the end” signals exhaustion with the public-facing version of confidence. What she’s defending is privacy of judgment: a space where the audience can’t reach.
The subtext is also a small rebellion against the way female musicians are expected to be grateful, agreeable, and endlessly receptive to validation. By naming her own “approval or disapproval” as the only verdict that counts, she’s not denying community or critique; she’s drawing a boundary between feedback and identity. It’s a survival strategy disguised as self-assurance: if you let applause define you, silence will erase you.
Quote Details
| Topic | Self-Love |
|---|---|
| Source | Help us find the source |
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