"I cannot work fast enough. I cannot cope fast enough, really. And just releasing a film is hard"
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Herzog’s complaint isn’t really about scheduling; it’s about time as an adversary and filmmaking as a kind of existential manual labor. “I cannot work fast enough” lands like a confession, but it’s also a provocation: a director famous for dragging cameras into jungles and onto volcanoes insisting that even his velocity feels inadequate. The repetition tightens the screw. “I cannot cope fast enough, really” shifts from craft to psyche, from output to survival. He’s not merely chasing deadlines; he’s outrunning the emotional and logistical entropy that gathers around every project.
The last line punctures any romantic notion of the auteur as effortless visionary. “Just releasing a film is hard” is a deliberately deflating “just” - a word that makes the ordeal sound modest while implying the opposite. In the contemporary film economy, release is where art meets gatekeeping: festivals, distributors, marketing budgets, streaming algorithms, rights clearances, and the slow violence of waiting. Herzog, who came up in a more cinephile, institution-driven era, is speaking from a landscape where attention is scarcer than funding, and where finishing the work doesn’t guarantee it will live in public.
The subtext is classic Herzog: the world is indifferent, systems are clumsy, and the only moral response is motion. Work faster, cope faster - not because speed is virtuous, but because stasis is a kind of defeat.
The last line punctures any romantic notion of the auteur as effortless visionary. “Just releasing a film is hard” is a deliberately deflating “just” - a word that makes the ordeal sound modest while implying the opposite. In the contemporary film economy, release is where art meets gatekeeping: festivals, distributors, marketing budgets, streaming algorithms, rights clearances, and the slow violence of waiting. Herzog, who came up in a more cinephile, institution-driven era, is speaking from a landscape where attention is scarcer than funding, and where finishing the work doesn’t guarantee it will live in public.
The subtext is classic Herzog: the world is indifferent, systems are clumsy, and the only moral response is motion. Work faster, cope faster - not because speed is virtuous, but because stasis is a kind of defeat.
Quote Details
| Topic | Stress |
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