"I can't do a film if I don't start with the writing"
About this Quote
A director confessing he cant begin without the writing is a quiet rebuke to an industry that loves to sell cinema as visual swagger: the lens as author, the set piece as meaning. Neil Jordan flips that hierarchy. For him, the screenplay isnt a formality you survive on the way to mood and montage; its the engine that makes everything else legible. The line reads like craft advice, but it also doubles as a declaration of power: the director as first reader, not just orchestrator.
Jordan is an instructive mouthpiece for this stance because his best-known work lives and dies on narrative precision. The Crying Game hinges on a carefully rationed release of information; the shock isnt just a twist, its a structural moral test. Interview with the Vampire works because its voice is a seduction, a kind of literary hypnosis that the images merely costume. Even when Jordan traffics in gothic atmosphere, the atmosphere is built on character logic: desire, shame, betrayal, the private bargains people make to survive.
The subtext is a warning against cinema as vibes. Start without writing and you risk making a film that looks expensive but thinks in slogans. Jordans phrasing is pointedly personal - "I cant" - framing script-first not as dogma but as necessity, a boundary that protects meaning. In a moment when franchises and IP can treat story as modular, his claim argues for authorship as discipline: the film begins where someone has decided, sentence by sentence, what the movie is actually willing to say.
Jordan is an instructive mouthpiece for this stance because his best-known work lives and dies on narrative precision. The Crying Game hinges on a carefully rationed release of information; the shock isnt just a twist, its a structural moral test. Interview with the Vampire works because its voice is a seduction, a kind of literary hypnosis that the images merely costume. Even when Jordan traffics in gothic atmosphere, the atmosphere is built on character logic: desire, shame, betrayal, the private bargains people make to survive.
The subtext is a warning against cinema as vibes. Start without writing and you risk making a film that looks expensive but thinks in slogans. Jordans phrasing is pointedly personal - "I cant" - framing script-first not as dogma but as necessity, a boundary that protects meaning. In a moment when franchises and IP can treat story as modular, his claim argues for authorship as discipline: the film begins where someone has decided, sentence by sentence, what the movie is actually willing to say.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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