"I can't speak American dog very well. There was a lot of improvisation with Uggie - like when I put the dog on the table or sometimes I follow him, sometimes he follows me. I had a lot of treats in my pocket. We worked with Omar Von Muller, the dog trainer. It was very easy because it was a big movie"
About this Quote
The charm here is how casually Jean Dujardin punctures the myth of movie magic. He opens with a joke that flips the usual language barrier: not French versus English, but human versus "American dog". It is a sly way to make himself the outsider without making anyone else the butt of the joke, and it frames the entire production as a cross-species negotiation rather than a star vehicle.
Underneath the lightness is a practical truth about acting that a lot of prestige talk tries to bury: performance is choreography, bribery, and timing. Dujardin’s details - treats in the pocket, who follows whom, putting the dog on the table - spotlight the unglamorous mechanics that create an illusion of spontaneity. He’s describing improvisation, but it’s the kind that only works because it’s anchored by a clear system of rewards and a handler’s expertise. The mention of Omar Von Muller is doing quiet labor here: it shares credit, reminds you the "co-star" has an entire support infrastructure, and subtly argues that animal work is a professional craft, not a cute accident.
Then he lands the line that’s almost deadpan: "It was very easy because it was a big movie". That’s not just modesty. It’s a tell about scale - the resources, time, and specialist labor that make something look effortless. The subtext is classically showbiz: ease isn’t talent alone; it’s budget, planning, and a team good enough to make improvisation feel like freedom.
Underneath the lightness is a practical truth about acting that a lot of prestige talk tries to bury: performance is choreography, bribery, and timing. Dujardin’s details - treats in the pocket, who follows whom, putting the dog on the table - spotlight the unglamorous mechanics that create an illusion of spontaneity. He’s describing improvisation, but it’s the kind that only works because it’s anchored by a clear system of rewards and a handler’s expertise. The mention of Omar Von Muller is doing quiet labor here: it shares credit, reminds you the "co-star" has an entire support infrastructure, and subtly argues that animal work is a professional craft, not a cute accident.
Then he lands the line that’s almost deadpan: "It was very easy because it was a big movie". That’s not just modesty. It’s a tell about scale - the resources, time, and specialist labor that make something look effortless. The subtext is classically showbiz: ease isn’t talent alone; it’s budget, planning, and a team good enough to make improvisation feel like freedom.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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