"I certainly don't sit around in the morning making pancakes listening to Whitehouse or anything"
About this Quote
Thurston Moore’s line lands because it’s a casual dunk disguised as a domestic detail. “Making pancakes” is doing a lot of work: it conjures an almost sitcom-clean, middle-American morning routine, the kind of cozy normalcy that right-wing media often claims to represent. Dropping “Whitehouse” (the UK far-right figurehead for a certain brand of grievance politics) into that scene makes the image absurd on purpose. The joke isn’t only that Moore wouldn’t listen to him; it’s that the idea of anyone earnestly soundtracking breakfast with rage-bait is faintly monstrous.
There’s also a punk musician’s instinct here: refusal as identity, delivered with a shrug instead of a manifesto. Moore isn’t arguing policy. He’s policing vibe and values, drawing a bright line between a life organized around curiosity, art, and noise, and one organized around resentment-as-entertainment. The “or anything” tacked on at the end is the perfect softener: it pretends modesty while widening the blast radius, suggesting Whitehouse isn’t a singular exception so much as a whole ecosystem Moore won’t metabolize.
Context matters because Moore comes from a scene (Sonic Youth, post-punk, art-rock) that treated cultural consumption as politics by other means: what you listen to, who you platform, what kind of energy you invite into your day. The quote works as a tiny piece of cultural gatekeeping - not elitist, just hygienic. It’s less “I’m better than you” than “I’m not letting that into my kitchen.”
There’s also a punk musician’s instinct here: refusal as identity, delivered with a shrug instead of a manifesto. Moore isn’t arguing policy. He’s policing vibe and values, drawing a bright line between a life organized around curiosity, art, and noise, and one organized around resentment-as-entertainment. The “or anything” tacked on at the end is the perfect softener: it pretends modesty while widening the blast radius, suggesting Whitehouse isn’t a singular exception so much as a whole ecosystem Moore won’t metabolize.
Context matters because Moore comes from a scene (Sonic Youth, post-punk, art-rock) that treated cultural consumption as politics by other means: what you listen to, who you platform, what kind of energy you invite into your day. The quote works as a tiny piece of cultural gatekeeping - not elitist, just hygienic. It’s less “I’m better than you” than “I’m not letting that into my kitchen.”
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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