"I certainly had no intention of playing a man"
About this Quote
Shaw’s point is craft-first: acting isn’t drag, and interpretation isn’t impersonation. When she plays a role written as male (the most famous example being her Richard II), she’s not aiming for a checklist of masculine tics. She’s after the engine of the character: appetite, fear, authority, self-mythology. The line also exposes how audiences police “believability” differently depending on gender. Men have long been allowed to play types, symbols, even whole ideas; women, when granted similar latitude, are treated as exceptions that require explanation.
There’s a quiet politics in the phrasing. She doesn’t declare an agenda; she asserts a professional boundary. It’s a way of saying: stop asking me to justify my presence. In a moment when representation talk can flatten art into optics, Shaw insists on something more demanding: that performance can be truthful without being literal, and that a role isn’t owned by a gender any more than it’s owned by the era it was written in.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
| Cite | Cite this Quote |
Citation Formats
APA Style (7th ed.)
Shaw, Fiona. (n.d.). I certainly had no intention of playing a man. FixQuotes. https://fixquotes.com/quotes/i-certainly-had-no-intention-of-playing-a-man-53269/
Chicago Style
Shaw, Fiona. "I certainly had no intention of playing a man." FixQuotes. Accessed February 3, 2026. https://fixquotes.com/quotes/i-certainly-had-no-intention-of-playing-a-man-53269/.
MLA Style (9th ed.)
"I certainly had no intention of playing a man." FixQuotes, https://fixquotes.com/quotes/i-certainly-had-no-intention-of-playing-a-man-53269/. Accessed 3 Feb. 2026.




