"I certainly look at them very differently now, and enjoy Jackie Chan movies and movies like that"
About this Quote
There is a tiny pivot in Kuriyama's line that does a lot of cultural work: "very differently now". It frames taste as something you grow into, not something you defend. Coming from an actress whose global visibility was shaped by stylized violence and genre-bending cinema, the comment reads like a quiet recalibration of what screen action can be. Jackie Chan stands in for a whole ecosystem of action movies that prioritize rhythm, clarity, and comedic physics over grim grit or macho posing.
The intent feels disarmingly modest, almost offhand, which is exactly why it lands. Kuriyama isn't delivering a manifesto about Hong Kong cinema; she's letting the audience overhear a shift in perspective. That casualness signals authenticity while also nudging the listener to reconsider their own hierarchy of "serious" film versus "pop" entertainment. The subtext: action can be craft, not just spectacle; joy can be a legitimate aesthetic. "Movies like that" broadens Chan into a category of pleasure that polite cinephilia sometimes treats as a guilty secret.
Context matters, too. For Japanese performers navigating international interviews, references like Jackie Chan become shared cultural currency - a way to be legible across borders without surrendering specificity. It's also a subtle nod to trans-Asian influence: Hong Kong action shaping Japanese viewing habits, which in turn feed back into global genre expectations. The line doesn't overclaim; it simply opens the door for a more generous, less snobbish way of watching.
The intent feels disarmingly modest, almost offhand, which is exactly why it lands. Kuriyama isn't delivering a manifesto about Hong Kong cinema; she's letting the audience overhear a shift in perspective. That casualness signals authenticity while also nudging the listener to reconsider their own hierarchy of "serious" film versus "pop" entertainment. The subtext: action can be craft, not just spectacle; joy can be a legitimate aesthetic. "Movies like that" broadens Chan into a category of pleasure that polite cinephilia sometimes treats as a guilty secret.
Context matters, too. For Japanese performers navigating international interviews, references like Jackie Chan become shared cultural currency - a way to be legible across borders without surrendering specificity. It's also a subtle nod to trans-Asian influence: Hong Kong action shaping Japanese viewing habits, which in turn feed back into global genre expectations. The line doesn't overclaim; it simply opens the door for a more generous, less snobbish way of watching.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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