"I claim Dickens as a mentor. He's my teacher. He's one of my driving forces"
About this Quote
Claiming Dickens as a mentor is a flex with a thesis: Anne Rice isn’t just citing an influence, she’s staking a lineage. Dickens is shorthand for narrative appetite, moral pressure, and big, crowded worlds where the private self is shaped by public institutions. By calling him “my teacher,” Rice wraps her own gothic excess in the legitimacy of the nineteenth-century social novel, borrowing his cultural authority to frame her vampires and saints as more than genre thrills. It’s a way of saying: watch how seriously I take storytelling.
The phrasing matters. “I claim” carries a proprietary edge, as if influence is territory you can annex. That’s classic Rice: bold, intimate, a little theatrical. She isn’t humbly “inspired” by Dickens; she recruits him, making a dead Victorian into an active presence in her creative life. “Mentor” is also an emotional word, suggesting a relationship rather than a reading list. Rice’s books often feel like conversations with tradition - Catholic grandeur, decadence, guilt, desire - and Dickens becomes a patron saint of compulsive plot and heightened feeling.
Contextually, it’s also a savvy move inside a literary culture that has long policed the border between “serious” fiction and popular, especially feminine-coded, genre work. Rice’s work sold at stadium scale and wore its intensity openly; invoking Dickens insists that melodrama and mass appeal aren’t embarrassments, they’re tools. The subtext: if you dismiss my work as pulp, you’re also dismissing one of the architects of the modern page-turner.
The phrasing matters. “I claim” carries a proprietary edge, as if influence is territory you can annex. That’s classic Rice: bold, intimate, a little theatrical. She isn’t humbly “inspired” by Dickens; she recruits him, making a dead Victorian into an active presence in her creative life. “Mentor” is also an emotional word, suggesting a relationship rather than a reading list. Rice’s books often feel like conversations with tradition - Catholic grandeur, decadence, guilt, desire - and Dickens becomes a patron saint of compulsive plot and heightened feeling.
Contextually, it’s also a savvy move inside a literary culture that has long policed the border between “serious” fiction and popular, especially feminine-coded, genre work. Rice’s work sold at stadium scale and wore its intensity openly; invoking Dickens insists that melodrama and mass appeal aren’t embarrassments, they’re tools. The subtext: if you dismiss my work as pulp, you’re also dismissing one of the architects of the modern page-turner.
Quote Details
| Topic | Writing |
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