"I consider the process of gestation just as important as when you're actually sitting down putting words to the paper"
About this Quote
Soyinka is quietly refusing the cult of the “blank page” as the only site of literature. By elevating gestation to the same rank as drafting, he frames writing as an embodied, time-bound practice rather than a performative act of productivity. The line pushes back against the romantic image of the author as a faucet of inspiration and, just as pointedly, against the modern expectation that artists should constantly demonstrate output to prove they’re working.
“Gestation” does heavy lifting: it borrows the vocabulary of biology to legitimize the invisible phases of creation - reading, listening, brooding, arguing with oneself, living. It also carries risk. Gestation can be uncomfortable, unruly, and unfinished; it can fail. Soyinka’s word choice makes room for uncertainty and incubation as integral, not incidental, to the work. The subtext is permission and warning: if you rush the slow parts, you get premature prose.
Context matters with Soyinka because his career has been shaped by history’s interruptions: colonial aftermath, Nigerian state violence, imprisonment, exile, and relentless political pressure. In that landscape, “sitting down” is never merely a cozy metaphor; it’s contingent on safety, time, and freedom. So the quote reads as a defense of interior autonomy. Even when the desk is unavailable - or censored, surveilled, or haunted - the artist can still be composing. Soyinka insists the mind’s offstage labor is not procrastination; it’s where the play is actually being built.
“Gestation” does heavy lifting: it borrows the vocabulary of biology to legitimize the invisible phases of creation - reading, listening, brooding, arguing with oneself, living. It also carries risk. Gestation can be uncomfortable, unruly, and unfinished; it can fail. Soyinka’s word choice makes room for uncertainty and incubation as integral, not incidental, to the work. The subtext is permission and warning: if you rush the slow parts, you get premature prose.
Context matters with Soyinka because his career has been shaped by history’s interruptions: colonial aftermath, Nigerian state violence, imprisonment, exile, and relentless political pressure. In that landscape, “sitting down” is never merely a cozy metaphor; it’s contingent on safety, time, and freedom. So the quote reads as a defense of interior autonomy. Even when the desk is unavailable - or censored, surveilled, or haunted - the artist can still be composing. Soyinka insists the mind’s offstage labor is not procrastination; it’s where the play is actually being built.
Quote Details
| Topic | Writing |
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