"I definitely get affected by new stuff. There's a lot of older influences, but there's also newer stuff too"
About this Quote
Bettencourt’s line reads like an anti-myth: the virtuoso as sponge, not statue. Rock culture loves to freeze guitar heroes in amber, as if technical mastery requires a sealed-off “classic” identity. He pushes back with an almost casual admission of permeability: “I definitely get affected” is a quiet rebuke to the idea that influence is something you either outgrow or deny to protect credibility.
The phrasing matters. He doesn’t romanticize inspiration; he frames it as impact, something that happens to you. That’s musician-talk with a practical edge: new sounds rearrange your instincts whether you want them to or not. Then comes the balancing act: “older influences” gets acknowledged first, a nod to lineage and legitimacy, but “there’s also newer stuff too” is the real point. It’s additive, not competitive. He’s refusing the generational cage match where respecting the past means distrusting the present.
Contextually, this is a veteran player navigating a culture that punishes change and punishes stasis at the same time. If you chase trends, you’re “trying too hard.” If you don’t, you’re “irrelevant.” Bettencourt’s solution is to normalize evolution as craft: you keep your foundation, but you stay in conversation with what’s happening now. The subtext is confidence. Only someone secure in their musical identity can admit they’re still being shaped. That openness is how a career avoids becoming a tribute act to itself.
The phrasing matters. He doesn’t romanticize inspiration; he frames it as impact, something that happens to you. That’s musician-talk with a practical edge: new sounds rearrange your instincts whether you want them to or not. Then comes the balancing act: “older influences” gets acknowledged first, a nod to lineage and legitimacy, but “there’s also newer stuff too” is the real point. It’s additive, not competitive. He’s refusing the generational cage match where respecting the past means distrusting the present.
Contextually, this is a veteran player navigating a culture that punishes change and punishes stasis at the same time. If you chase trends, you’re “trying too hard.” If you don’t, you’re “irrelevant.” Bettencourt’s solution is to normalize evolution as craft: you keep your foundation, but you stay in conversation with what’s happening now. The subtext is confidence. Only someone secure in their musical identity can admit they’re still being shaped. That openness is how a career avoids becoming a tribute act to itself.
Quote Details
| Topic | Music |
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