"I definitely take a lot of bad pictures!"
About this Quote
A working model admitting, cheerfully, that she takes "a lot of bad pictures" is a small act of narrative control in an industry built on ruthless curation. Brooke Burke isn’t confessing incompetence; she’s puncturing the fantasy that beauty is a permanent setting. The word "definitely" matters: it’s emphatic, casual, and preemptive, like she’s disarming the audience before they can weaponize an unflattering shot. In a culture trained to treat a single frame as evidence of a person’s worth, she reframes the bad photo as an inevitability, not an indictment.
The subtext is labor. Modeling is sold as effortless: genetics, good lighting, a smile. Burke sneaks in the unglamorous truth that the job is repetition, odds, and selection. For every image that becomes a cover or campaign, there’s a landfill of near-misses: blinked eyes, strange angles, a microexpression caught mid-transition. Saying it out loud invites the public to understand that the "perfect" picture is a product, not a spontaneous revelation.
Contextually, this kind of line plays well in the tabloid-and-talk-show ecosystem that loves to oscillate between idolization and humiliation. It’s also a savvy soft-defense against "gotcha" candids: if imperfection is already acknowledged, it loses some of its sting. The humility reads as likability, but it’s also strategy - a reminder that the camera is not a truth machine, just a machine.
The subtext is labor. Modeling is sold as effortless: genetics, good lighting, a smile. Burke sneaks in the unglamorous truth that the job is repetition, odds, and selection. For every image that becomes a cover or campaign, there’s a landfill of near-misses: blinked eyes, strange angles, a microexpression caught mid-transition. Saying it out loud invites the public to understand that the "perfect" picture is a product, not a spontaneous revelation.
Contextually, this kind of line plays well in the tabloid-and-talk-show ecosystem that loves to oscillate between idolization and humiliation. It’s also a savvy soft-defense against "gotcha" candids: if imperfection is already acknowledged, it loses some of its sting. The humility reads as likability, but it’s also strategy - a reminder that the camera is not a truth machine, just a machine.
Quote Details
| Topic | Funny |
|---|---|
| Source | Help us find the source |
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