"I definitely would like to do something serious. Not like a love story, but serious like maybe a gangster or a mobster. A gang or a mob movie would be great"
About this Quote
There is something almost endearing about how Jason Mewes reaches for “serious” and immediately lands on “gangster or a mobster.” It’s not just a genre preference; it’s a cultural shortcut. For an actor long associated with stoner-comedy looseness and a persona that reads as impulsive, profane, and lovable, the mob movie offers a ready-made seriousness kit: suits, menace, consequences, gravitas-by-osmosis. You don’t have to plead for depth when the audience has been trained by Scorsese and prestige TV to treat organized crime as capital-A Acting.
The sharpest subtext is what he rejects: “Not like a love story.” Romance, in Hollywood logic, is often coded as soft, sentimental, even feminized; crime is coded as hard, adult, and masculine. Mewes is basically describing a career pivot away from being the punchline toward being the threat, or at least being in the room with threats. It’s less about wanting to romanticize violence than wanting a role that forces viewers to recalibrate their assumptions about him.
Context matters: Mewes came up in the Kevin Smith ecosystem, where his appeal was a kind of chaotic authenticity. That brand can become a trap. This quote reads like an actor trying to widen the lane without pretending to be someone he’s not. Even his phrasing, “maybe a gangster or a mobster,” has a fan’s enthusiasm rather than an auteur’s specificity, revealing the real desire underneath: permission to be taken seriously, using the most legible template American pop culture provides.
The sharpest subtext is what he rejects: “Not like a love story.” Romance, in Hollywood logic, is often coded as soft, sentimental, even feminized; crime is coded as hard, adult, and masculine. Mewes is basically describing a career pivot away from being the punchline toward being the threat, or at least being in the room with threats. It’s less about wanting to romanticize violence than wanting a role that forces viewers to recalibrate their assumptions about him.
Context matters: Mewes came up in the Kevin Smith ecosystem, where his appeal was a kind of chaotic authenticity. That brand can become a trap. This quote reads like an actor trying to widen the lane without pretending to be someone he’s not. Even his phrasing, “maybe a gangster or a mobster,” has a fan’s enthusiasm rather than an auteur’s specificity, revealing the real desire underneath: permission to be taken seriously, using the most legible template American pop culture provides.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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