"I did a series called Ned and Stacey for two years for Fox back in the 90s. I was writer on it as well as a producer, and it was very important to me that there were no contemporary references"
About this Quote
Thomas Haden Church is describing a creative choice that sounds small but is actually a quiet power move: refuse the easy sugar rush of “topical” jokes so the show can outlive the week it aired. In a 90s network sitcom ecosystem that rewarded immediacy and trend-chasing, “no contemporary references” is less about being tasteful than about resisting disposability. It’s a bet that character comedy - the friction between two people, the rhythms of a relationship - will land harder than a wink at whatever was on the cover of Entertainment Weekly.
The subtext is also about control. Church isn’t only the actor-for-hire; he’s flagging that he had writer and producer leverage, enough to enforce a rule that most sitcom rooms treat as optional. That detail reads like a résumé flex, but it also frames the restriction as craft, not nostalgia: if you remove the scaffolding of current events, the writing has to do more work. You can’t outsource laughs to recognition.
There’s an interesting irony in the phrase “back in the 90s,” because the very act of locating the show in a decade is a contemporary reference of its own. Church is aware of how quickly pop culture dates itself; his solution wasn’t to pretend time doesn’t pass, but to make the show less dependent on the audience sharing one specific moment’s media diet. The intent is durability, the context is network TV’s assembly line, and the subtext is an artist trying to smuggle longevity into a format designed to be forgotten.
The subtext is also about control. Church isn’t only the actor-for-hire; he’s flagging that he had writer and producer leverage, enough to enforce a rule that most sitcom rooms treat as optional. That detail reads like a résumé flex, but it also frames the restriction as craft, not nostalgia: if you remove the scaffolding of current events, the writing has to do more work. You can’t outsource laughs to recognition.
There’s an interesting irony in the phrase “back in the 90s,” because the very act of locating the show in a decade is a contemporary reference of its own. Church is aware of how quickly pop culture dates itself; his solution wasn’t to pretend time doesn’t pass, but to make the show less dependent on the audience sharing one specific moment’s media diet. The intent is durability, the context is network TV’s assembly line, and the subtext is an artist trying to smuggle longevity into a format designed to be forgotten.
Quote Details
| Topic | Writing |
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