"I did not want to put myself on the line, as an Australian playing Britain's greatest comic actor. The fans of Sellers are obsessive, possessive - and aggressive. I did not want to risk their anger - or my own reputation"
About this Quote
There is a particular kind of fear that only shows up when you’re asked to embody someone else’s legend, and Geoffrey Rush names it with actorly precision: not fear of failure, exactly, but fear of the wrong audience. Playing Peter Sellers isn’t just another role; it’s a trespass into a protected cultural shrine, where devotion easily curdles into policing. Rush frames the risk as social before it’s artistic: “fans… obsessive, possessive - and aggressive.” Those three adjectives map a modern fandom pathology, the way admiration turns into ownership, and ownership turns into punishment.
The national angle sharpens the anxiety. “An Australian playing Britain’s greatest comic actor” isn’t casual biographical detail; it’s a reminder that casting is politics by other means. Sellers belongs, in the public imagination, to a British comic tradition that’s tied up with class, accent, and postwar identity. Rush is aware that even a perfect performance can be received as an intrusion, an imposter wearing a passport as much as a costume.
What makes the quote work is its double accounting: he’s weighing “their anger” against “my own reputation.” The subtext is that reputation is not built solely on talent; it’s negotiated with gatekeepers, critics, and, increasingly, fans who treat authenticity like property. Rush isn’t being timid. He’s describing the hidden labor of prestige acting: not just inhabiting a person, but surviving the tribe that claims him.
The national angle sharpens the anxiety. “An Australian playing Britain’s greatest comic actor” isn’t casual biographical detail; it’s a reminder that casting is politics by other means. Sellers belongs, in the public imagination, to a British comic tradition that’s tied up with class, accent, and postwar identity. Rush is aware that even a perfect performance can be received as an intrusion, an imposter wearing a passport as much as a costume.
What makes the quote work is its double accounting: he’s weighing “their anger” against “my own reputation.” The subtext is that reputation is not built solely on talent; it’s negotiated with gatekeepers, critics, and, increasingly, fans who treat authenticity like property. Rush isn’t being timid. He’s describing the hidden labor of prestige acting: not just inhabiting a person, but surviving the tribe that claims him.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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