"I did several interesting jobs, working in restaurants, I worked at a lab rat farm, feeding and watering all these rats. Then I got a full-time job as a technical writer for a large scientific research laboratory"
About this Quote
The punchline here isn’t the rats; it’s the trajectory. Kevin J. Anderson sketches a working life that zigzags from service work to something oddly specific and faintly grotesque (a lab rat farm) before landing in the clean, credentialed world of a scientific research laboratory. The sentence structure mirrors that climb: quick, clipped clauses that feel like a resumeless oral history, the kind you tell to remind someone that careers are built out of weird stops, not destiny.
There’s a sly dignity in the detail. “Feeding and watering all these rats” is deliberately unglamorous, almost comic, and it functions as a credibility hack: he’s not mythologizing his path into authorship as talent being “discovered.” He’s foregrounding labor, the kind that smells like bleach and repetition. That’s subtext aimed at anyone romanticizing creative careers. Before you write bestselling space operas, you learn to show up, do the job, document the facts, endure the tedium.
Then comes the tonal pivot: “full-time job as a technical writer.” It’s a title that sounds dry, but culturally it’s a bridge between worlds: storytelling constrained by precision, imagination trained by systems. In the context of a professional author recounting early work, the intent reads like reassurance and instruction. Interesting lives aren’t curated; they’re accumulated. The odd jobs aren’t detours from the writing life. They’re the raw material, and the discipline, that makes the later work possible.
There’s a sly dignity in the detail. “Feeding and watering all these rats” is deliberately unglamorous, almost comic, and it functions as a credibility hack: he’s not mythologizing his path into authorship as talent being “discovered.” He’s foregrounding labor, the kind that smells like bleach and repetition. That’s subtext aimed at anyone romanticizing creative careers. Before you write bestselling space operas, you learn to show up, do the job, document the facts, endure the tedium.
Then comes the tonal pivot: “full-time job as a technical writer.” It’s a title that sounds dry, but culturally it’s a bridge between worlds: storytelling constrained by precision, imagination trained by systems. In the context of a professional author recounting early work, the intent reads like reassurance and instruction. Interesting lives aren’t curated; they’re accumulated. The odd jobs aren’t detours from the writing life. They’re the raw material, and the discipline, that makes the later work possible.
Quote Details
| Topic | Career |
|---|---|
| Source | Help us find the source |
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