"I did sketch comedy for years. I've always enjoyed it"
About this Quote
There is something quietly defiant in how Jamie Farr frames a whole slice of his career as simple pleasure. “I did sketch comedy for years” carries the weight of apprenticeship: the grindy, unglamorous work that rarely becomes a trivia card unless you’ve already made it. Then he pivots: “I’ve always enjoyed it.” Not “it taught me” or “it built my brand,” but enjoyed. That choice refuses the prestige hierarchy that treats comedy - especially sketch - as a stepping-stone to “real” acting.
The subtext is craft disguised as casualness. Sketch comedy is brutal training: you learn timing like muscle memory, you fail in public, you adjust instantly, you sell a character in seconds, and you collaborate without ego because the bit is bigger than any one performer. Farr’s line compresses that whole discipline into a shrug, which is exactly the comedian’s posture: don’t overstate, don’t sentimentalize, keep it light even when it’s your life.
Context matters here because Farr is best known for a role (M*A*S*H’s Klinger) that lives at the intersection of heightened comedy and human stakes. Sketch is where an actor learns to toggle between cartoon and truth without snapping the illusion. His intent feels less like a resume note than a quiet manifesto: the work that looks “silly” from the outside can be the most sustaining - and the most serious form of play.
The subtext is craft disguised as casualness. Sketch comedy is brutal training: you learn timing like muscle memory, you fail in public, you adjust instantly, you sell a character in seconds, and you collaborate without ego because the bit is bigger than any one performer. Farr’s line compresses that whole discipline into a shrug, which is exactly the comedian’s posture: don’t overstate, don’t sentimentalize, keep it light even when it’s your life.
Context matters here because Farr is best known for a role (M*A*S*H’s Klinger) that lives at the intersection of heightened comedy and human stakes. Sketch is where an actor learns to toggle between cartoon and truth without snapping the illusion. His intent feels less like a resume note than a quiet manifesto: the work that looks “silly” from the outside can be the most sustaining - and the most serious form of play.
Quote Details
| Topic | Funny |
|---|---|
| Source | Help us find the source |
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