"I did that for 40 years or more. I never had any writer's block. I got up in the morning, sat down at the typewriter - now, computer - lit up a cigarette"
About this Quote
Pohl makes the muse sound like an office coworker you don’t particularly like but still show up for. The flex isn’t mystical inspiration; it’s attendance. “40 years or more” lands like a timecard stamp, a reminder that most careers are built less on lightning bolts than on mornings that look exactly like the last one. The point is almost aggressively unromantic: writer’s block isn’t a fate, it’s a negotiation you can refuse to enter.
The little pivot from “typewriter” to “computer” quietly signals how much of the machinery changed around him while the core ritual stayed the same. Science fiction writers are often treated as prophets of technology; Pohl undercuts that aura. Tools evolve, the job doesn’t. What matters is the body in the chair, the hands moving, the work accruing.
Then there’s the cigarette: a period detail, a talisman, a self-myth. It’s also a wink at the mid-century literary pose - productivity fueled by vice, discipline dressed up as swagger. Pohl’s generation sold a certain idea of the professional writer: not a tortured artist, but a working stiff who files copy. As an editor and author who moved between pulp markets and prestige, he knew writing as labor inside an industry, not a sacred calling outside it.
Subtext: if you’re waiting to feel like writing, you’ve already lost. Sit down anyway. The rest is just hardware and smoke.
The little pivot from “typewriter” to “computer” quietly signals how much of the machinery changed around him while the core ritual stayed the same. Science fiction writers are often treated as prophets of technology; Pohl undercuts that aura. Tools evolve, the job doesn’t. What matters is the body in the chair, the hands moving, the work accruing.
Then there’s the cigarette: a period detail, a talisman, a self-myth. It’s also a wink at the mid-century literary pose - productivity fueled by vice, discipline dressed up as swagger. Pohl’s generation sold a certain idea of the professional writer: not a tortured artist, but a working stiff who files copy. As an editor and author who moved between pulp markets and prestige, he knew writing as labor inside an industry, not a sacred calling outside it.
Subtext: if you’re waiting to feel like writing, you’ve already lost. Sit down anyway. The rest is just hardware and smoke.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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