"I did the cover of Cigar Aficionado, so I'm supposed to talk about loving cigars. I've smoked them a couple of times. My father used to smoke cigars. I love the idea and the concept, and I love the smell of cigars"
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There is a very modern kind of honesty in Gershon admitting she’s basically playing a role for a magazine cover. The line opens with a wink: “I did the cover of Cigar Aficionado, so I’m supposed to...” It’s not confession so much as a backstage pass to celebrity culture, where the job isn’t just acting in films, it’s performing a lifestyle on command. She names the script before she delivers it, which both disarms skepticism and keeps her in control of the narrative.
The quick pivot to “I’ve smoked them a couple of times” is doing damage control. She’s not a fraud, but she’s not a zealot either. That middle ground matters: it preserves a relatable persona while still honoring the brand fantasy the magazine sells. Then she drops in the father detail, a small, intimate credential that reframes cigars away from macho affectation and toward memory and inheritance. It softens the object, turning it into an atmosphere rather than a habit.
Her real affection lands on the safest, most cinematic parts: “the idea,” “the concept,” “the smell.” That’s telling. She’s not praising nicotine; she’s praising aesthetic. Cigars here function as a prop of sophistication, a shorthand for lounge lighting, power suits, and old-world leisure. Gershon’s subtext is clear: she’ll rent the iconography, even if she doesn’t live the lifestyle. In 2020s celebrity speak, that’s practically a moral stance.
The quick pivot to “I’ve smoked them a couple of times” is doing damage control. She’s not a fraud, but she’s not a zealot either. That middle ground matters: it preserves a relatable persona while still honoring the brand fantasy the magazine sells. Then she drops in the father detail, a small, intimate credential that reframes cigars away from macho affectation and toward memory and inheritance. It softens the object, turning it into an atmosphere rather than a habit.
Her real affection lands on the safest, most cinematic parts: “the idea,” “the concept,” “the smell.” That’s telling. She’s not praising nicotine; she’s praising aesthetic. Cigars here function as a prop of sophistication, a shorthand for lounge lighting, power suits, and old-world leisure. Gershon’s subtext is clear: she’ll rent the iconography, even if she doesn’t live the lifestyle. In 2020s celebrity speak, that’s practically a moral stance.
Quote Details
| Topic | Father |
|---|---|
| Source | Help us find the source |
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