"I didn't get into making music for the fame aspect. There are people who do desire that"
About this Quote
Crow’s line is a small act of boundary-setting in an industry designed to erase the boundary between the work and the spotlight. By leading with “I didn’t,” she frames her origin story as refusal: not just a personal preference, but a quiet rebuke of the machinery that treats fame as the point of art. The phrase “the fame aspect” is tellingly bureaucratic, like she’s reducing celebrity to an accessory package you can add on or decline. That linguistic shrug drains glamour from the very thing pop culture fetishizes.
The second sentence does sharper work. “There are people who do desire that” lands as a diplomatic dodge and a moral contrast at once. She never names anyone, but the implication is clear: chasing attention is a different job, with different incentives, and she’s not applying. It’s a classic musician’s two-step in the late-20th/early-21st century media ecosystem: signal authenticity without sounding sanctimonious. By acknowledging the other camp, she avoids the cheap purity narrative while still staking out higher ground.
Context matters: Crow came up in a moment when MTV and tabloid culture could turn songwriting into a personality contest, especially for women expected to perform likability as much as talent. Her insistence on motive isn’t naive; it’s strategic. She’s protecting the legitimacy of craft against a culture that keeps trying to invoice artists for their visibility.
The second sentence does sharper work. “There are people who do desire that” lands as a diplomatic dodge and a moral contrast at once. She never names anyone, but the implication is clear: chasing attention is a different job, with different incentives, and she’s not applying. It’s a classic musician’s two-step in the late-20th/early-21st century media ecosystem: signal authenticity without sounding sanctimonious. By acknowledging the other camp, she avoids the cheap purity narrative while still staking out higher ground.
Context matters: Crow came up in a moment when MTV and tabloid culture could turn songwriting into a personality contest, especially for women expected to perform likability as much as talent. Her insistence on motive isn’t naive; it’s strategic. She’s protecting the legitimacy of craft against a culture that keeps trying to invoice artists for their visibility.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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