"I didn't know Albert back then - I just learned to play that way. He and I were the only guys that played left-handed. Then left-handed people came from every direction"
About this Quote
Otis Rush frames left-handedness like an accident that turned into a lineage. He starts with a humble dodge - "I didn't know Albert back then" - which works as both disclaimer and flex. He’s refusing the tidy myth that every great guitarist is just copying the last great guitarist. Instead, he claims a parallel evolution: he arrived at that sound because his body and circumstances pushed him there, not because he was chasing Albert King’s shadow.
The left-handed detail isn’t trivia; it’s a marker of outsider technique. In blues, the "wrong" way to hold a guitar can become the right way to make a signature. Rush’s phrasing suggests a time when being left-handed wasn’t a branding choice or a boutique distinction, it was a practical inconvenience that forced innovation: different bends, different vibrato, a slightly different attack. He and Albert as "the only guys" is a small, almost lonely image - two outliers whose physical orientation becomes a sonic one.
Then the punchline lands: "Then left-handed people came from every direction". That’s wry and a little suspicious, like he’s watching the industry turn rarity into trend. The subtext is about what happens when a marginal trait becomes marketable: the scene fills up with latecomers who want the mystique without the struggle. Rush isn’t gatekeeping talent so much as protecting origin stories from being retrofitted into fashionable narratives.
The left-handed detail isn’t trivia; it’s a marker of outsider technique. In blues, the "wrong" way to hold a guitar can become the right way to make a signature. Rush’s phrasing suggests a time when being left-handed wasn’t a branding choice or a boutique distinction, it was a practical inconvenience that forced innovation: different bends, different vibrato, a slightly different attack. He and Albert as "the only guys" is a small, almost lonely image - two outliers whose physical orientation becomes a sonic one.
Then the punchline lands: "Then left-handed people came from every direction". That’s wry and a little suspicious, like he’s watching the industry turn rarity into trend. The subtext is about what happens when a marginal trait becomes marketable: the scene fills up with latecomers who want the mystique without the struggle. Rush isn’t gatekeeping talent so much as protecting origin stories from being retrofitted into fashionable narratives.
Quote Details
| Topic | Music |
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