"I didn't really know what I was doing when I started. I just started writing songs. After two songs I just continued to explore it"
About this Quote
Neil Young is smuggling a manifesto into a shrug. The line sounds like the kind of offhand humility musicians are expected to perform, but its real power is how it refuses the modern mythology of the master plan. No origin story with a five-year strategy, no childhood prophecy, no brand architecture. Just motion: start, make two things, then keep going.
The specificity of "After two songs" matters. Two is barely a sample size; it suggests he didn’t need validation, virtuosity, or permission. He needed traction. In creative life, the first steps often feel like accidents, and Young frames that not as a problem to solve but as the point. The subtext is anti-gatekeeping: you don’t have to "know what you’re doing" to do it. You learn by making, and the making is the learning.
Contextually, this fits Young’s career-long posture: distrust polish, distrust institutions, distrust anything that turns art into a closed system. From folk to rock to country to feedback-drenched experimentation, he’s treated songwriting less like a craft you complete and more like terrain you keep walking. "Explore" is doing a lot of work here. It’s not the language of a product; it’s the language of a restless person following a signal.
For a culture obsessed with optimization and expertise, Young’s point lands like a corrective: the most durable artistic identities are often built from curiosity, repetition, and the willingness to stay slightly lost.
The specificity of "After two songs" matters. Two is barely a sample size; it suggests he didn’t need validation, virtuosity, or permission. He needed traction. In creative life, the first steps often feel like accidents, and Young frames that not as a problem to solve but as the point. The subtext is anti-gatekeeping: you don’t have to "know what you’re doing" to do it. You learn by making, and the making is the learning.
Contextually, this fits Young’s career-long posture: distrust polish, distrust institutions, distrust anything that turns art into a closed system. From folk to rock to country to feedback-drenched experimentation, he’s treated songwriting less like a craft you complete and more like terrain you keep walking. "Explore" is doing a lot of work here. It’s not the language of a product; it’s the language of a restless person following a signal.
For a culture obsessed with optimization and expertise, Young’s point lands like a corrective: the most durable artistic identities are often built from curiosity, repetition, and the willingness to stay slightly lost.
Quote Details
| Topic | Music |
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