"I didn't really think about becoming a professional artist until high school, when I realized that everything else required too much math"
About this Quote
Phil Foglio turns a fork-in-the-road moment into a punchline, admitting that art became attractive when other paths seemed to demand too much math. The humor works because it taps a familiar high school anxiety: the way algebra and calculus can feel like gatekeepers to every respectable future. It is self-deprecating, but also sly commentary on how educational systems sort teenagers by comfort with numbers long before they know who they are.
Coming from Foglio, a cartoonist whose career is steeped in wit and genre play, the line doubles as a creative manifesto. He built worlds like Girl Genius, the exuberant gaslamp fantasy he co-created with Kaja Foglio, where mad science and improbable mechanisms whir with narrative energy. The joke about escaping math becomes deliciously ironic, since so much of his storytelling revels in science tropes and tinkering. His persona has long blended comedy with affectionate satire of rules, systems, and expert knowledge, from Dragon magazine’s gaming strips to his independent comics.
There is also a practical edge to the line. Teenagers often make choices by subtraction: if this feels painful or opaque, choose something else. Many artists discover their vocation not as a noble calling but as the one door that stays open when others clang shut. Foglio’s wisecrack dignifies that process. It suggests that following aptitude, even by avoiding a dreaded subject, can lead to a life of sustained creative work.
The joke hides a truth: art does not actually escape math. Perspective, proportion, timing, page layout, budgets, printing specs, royalties, and schedules all involve numbers. But the math in art usually serves a visible creative purpose, rather than standing as an abstract hurdle. Foglio’s line captures a broader cultural tension between quantification and imagination while winking at the irony that the best way to live with math might be to draw it into a story and make it entertaining.
Coming from Foglio, a cartoonist whose career is steeped in wit and genre play, the line doubles as a creative manifesto. He built worlds like Girl Genius, the exuberant gaslamp fantasy he co-created with Kaja Foglio, where mad science and improbable mechanisms whir with narrative energy. The joke about escaping math becomes deliciously ironic, since so much of his storytelling revels in science tropes and tinkering. His persona has long blended comedy with affectionate satire of rules, systems, and expert knowledge, from Dragon magazine’s gaming strips to his independent comics.
There is also a practical edge to the line. Teenagers often make choices by subtraction: if this feels painful or opaque, choose something else. Many artists discover their vocation not as a noble calling but as the one door that stays open when others clang shut. Foglio’s wisecrack dignifies that process. It suggests that following aptitude, even by avoiding a dreaded subject, can lead to a life of sustained creative work.
The joke hides a truth: art does not actually escape math. Perspective, proportion, timing, page layout, budgets, printing specs, royalties, and schedules all involve numbers. But the math in art usually serves a visible creative purpose, rather than standing as an abstract hurdle. Foglio’s line captures a broader cultural tension between quantification and imagination while winking at the irony that the best way to live with math might be to draw it into a story and make it entertaining.
Quote Details
| Topic | Art |
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