"I discovered that in a story I could safely dream any dream, hope any hope, go anywhere I pleased any time I pleased, fight any foe, win or lose, live or die. My stories created a safe experimental learning place"
About this Quote
Davis is selling the radical idea that imagination is not escapism but rehearsal. The line "safely dream any dream" treats story as a controlled environment: you can run emotional and moral experiments without paying the real-world costs. That word "safely" is doing the heavy lifting. It admits the stakes are real - fear, desire, grief, rage - while insisting the container is protective. Fiction becomes a kind of psychological flight simulator: you can crash, you can burn, you can die, and still walk away with data.
The list structure matters. "Go anywhere... fight any foe... win or lose, live or die" moves from freedom (travel) to conflict (foe) to consequence (death). It mirrors a human life compressed into choices, risks, outcomes. By including "win or lose", Davis rejects the tidy self-help version of narrative where every arc is triumph. The learning comes from failure too, from inhabiting the losing side and surviving it. That quiet generosity toward loss is part of what makes the quote feel earned rather than sentimental.
Contextually, this is an author framing storytelling as a formative tool, not just a product. The subtext is autobiographical: stories as a private lab where a kid or adult can test identities, practice courage, and name fears indirectly. It's also a defense of fiction in a culture that often demands "usefulness". Davis answers: stories are useful precisely because they're not real; they let us approach the real sideways, with less shame and more bravery.
The list structure matters. "Go anywhere... fight any foe... win or lose, live or die" moves from freedom (travel) to conflict (foe) to consequence (death). It mirrors a human life compressed into choices, risks, outcomes. By including "win or lose", Davis rejects the tidy self-help version of narrative where every arc is triumph. The learning comes from failure too, from inhabiting the losing side and surviving it. That quiet generosity toward loss is part of what makes the quote feel earned rather than sentimental.
Contextually, this is an author framing storytelling as a formative tool, not just a product. The subtext is autobiographical: stories as a private lab where a kid or adult can test identities, practice courage, and name fears indirectly. It's also a defense of fiction in a culture that often demands "usefulness". Davis answers: stories are useful precisely because they're not real; they let us approach the real sideways, with less shame and more bravery.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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