"I do a so-called trip into myself: I sit down at the piano and the melody might start to evolve from my playing or then I might start to sing it"
About this Quote
Enya frames songwriting as both inward pilgrimage and casual craft move, and the tension between those two poles is the point. “So-called trip into myself” is a sly deflation of the mystic-image people project onto her: the Celtic sorceress communing with fog and choirs. She’s admitting the myth exists, then stepping half a pace away from it. The phrase “so-called” signals self-awareness, almost a wink, without breaking the spell entirely.
What follows is disarmingly practical: she sits at the piano. No lightning bolt, no grand manifesto. The melody “might start to evolve” from playing, or she might “start to sing it.” That conditional, “might,” matters. It rejects the pop-culture demand for genius as certainty and replaces it with a process that’s patient, iterative, and bodily. Her language treats music as something you coax into being rather than seize. “Evolve” suggests an organic unfolding, consistent with her sound: layered, slow-building, more ecosystem than hook.
There’s also a subtle power move here. By describing creation as private and self-contained, she protects the work from outside narratives - fame, industry expectations, even interpretation. The “trip” is internal, but the method is concrete: hands on keys, voice in air. In an era that fetishizes authenticity as confession, Enya offers a different model: intimacy without oversharing, emotion without autobiography, and artistry that’s less about baring a soul than building a world.
What follows is disarmingly practical: she sits at the piano. No lightning bolt, no grand manifesto. The melody “might start to evolve” from playing, or she might “start to sing it.” That conditional, “might,” matters. It rejects the pop-culture demand for genius as certainty and replaces it with a process that’s patient, iterative, and bodily. Her language treats music as something you coax into being rather than seize. “Evolve” suggests an organic unfolding, consistent with her sound: layered, slow-building, more ecosystem than hook.
There’s also a subtle power move here. By describing creation as private and self-contained, she protects the work from outside narratives - fame, industry expectations, even interpretation. The “trip” is internal, but the method is concrete: hands on keys, voice in air. In an era that fetishizes authenticity as confession, Enya offers a different model: intimacy without oversharing, emotion without autobiography, and artistry that’s less about baring a soul than building a world.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
More Quotes by Enya
Add to List




