"I do everything all wrong, but I think for me that's the best, because I don't think I have a voice"
About this Quote
The subtext is about power and permission. Saying “I don’t think I have a voice” points to more than range or projection. It’s the anxiety of being measured against an industry standard built for belters and virtuosos, where “voice” means volume, technique, and authority. London flips that deficit into an aesthetic: if you’re “wrong” by those rules, you’re freer to invent new ones. What looks like limitation becomes intimacy. Her best work doesn’t try to dominate a room; it leans in, makes the microphone do the heavy lifting, turns vulnerability into a sonic close-up.
The intent feels protective, too. By preemptively lowering the bar, she controls the narrative around her artistry in a business eager to brand women as either natural-born miracles or pretty impostors. London makes space for a third option: the singer as mood, as texture, as presence. Not having “a voice” becomes the point - and the hook.
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Citation Formats
APA Style (7th ed.)
London, Julie. (2026, January 16). I do everything all wrong, but I think for me that's the best, because I don't think I have a voice. FixQuotes. https://fixquotes.com/quotes/i-do-everything-all-wrong-but-i-think-for-me-133317/
Chicago Style
London, Julie. "I do everything all wrong, but I think for me that's the best, because I don't think I have a voice." FixQuotes. January 16, 2026. https://fixquotes.com/quotes/i-do-everything-all-wrong-but-i-think-for-me-133317/.
MLA Style (9th ed.)
"I do everything all wrong, but I think for me that's the best, because I don't think I have a voice." FixQuotes, 16 Jan. 2026, https://fixquotes.com/quotes/i-do-everything-all-wrong-but-i-think-for-me-133317/. Accessed 12 Feb. 2026.


