"I do honour the very flea of his dog"
About this Quote
Devotion so intense it shrinks itself down to the size of a parasite: that is the joke, and the tell. Ben Jonson’s line, spoken with courtly flourish, takes the familiar Renaissance language of honor and loyalty and pushes it into the absurd. Not only is the beloved worthy of respect; even the lowest collateral creature attached to him earns reverence. A dog is already a status accessory in elite circles. A flea on that dog is pure degradation. Jonson builds a ladder of worth and then climbs all the way down it, insisting the speaker’s allegiance survives every indignity.
The intent is double-edged. On the surface, it’s extravagant praise, the kind of hyperbolic politeness that oils patronage culture: you honor the great man so thoroughly you honor his dust. Underneath, Jonson is winking at how that culture trains people to perform abasement as virtue. The line stages the humiliations of dependency - the way proximity to power becomes its own currency, so even the “very flea” gets treated like a relic.
Context matters: Jonson’s theater is packed with social climbers, flatterers, and self-aware cynics; his verse and drama often treat honor as both a real moral category and a rhetorical costume people rent for the evening. The phrasing “I do honour” sounds formal, almost legalistic, which makes the image nastier and funnier. It’s worship rendered bureaucratic: a certificate of devotion for something that should be crushed between fingernails. Jonson’s subtext is not just that flattery can be ridiculous, but that it can be structurally demanded - and once demanded, it metastasizes into performances no one fully believes, yet everyone keeps applauding.
The intent is double-edged. On the surface, it’s extravagant praise, the kind of hyperbolic politeness that oils patronage culture: you honor the great man so thoroughly you honor his dust. Underneath, Jonson is winking at how that culture trains people to perform abasement as virtue. The line stages the humiliations of dependency - the way proximity to power becomes its own currency, so even the “very flea” gets treated like a relic.
Context matters: Jonson’s theater is packed with social climbers, flatterers, and self-aware cynics; his verse and drama often treat honor as both a real moral category and a rhetorical costume people rent for the evening. The phrasing “I do honour” sounds formal, almost legalistic, which makes the image nastier and funnier. It’s worship rendered bureaucratic: a certificate of devotion for something that should be crushed between fingernails. Jonson’s subtext is not just that flattery can be ridiculous, but that it can be structurally demanded - and once demanded, it metastasizes into performances no one fully believes, yet everyone keeps applauding.
Quote Details
| Topic | Sarcastic |
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