"I do not just write, I write what I am. If there is a secret, perhaps that is it"
About this Quote
Saramago isn’t selling craft; he’s refusing the comfort of it. “I do not just write” draws a line between writing as a profession and writing as a mode of being, the way breathing is. The second clause tightens the screw: “I write what I am.” Not what he thinks, not what he believes on a good day, but what he is - the accumulated sediment of class, history, temperament, stubbornness. It’s a claim of authorship that’s also an admission of exposure. If the work is the self, every sentence becomes a kind of self-portrait, and every self-portrait invites judgment.
The “secret” is sly, too. Saramago gestures toward the mythology of the novelist as someone with hidden tricks, then deflates it. There’s no alchemical formula, no magic key to “voice” beyond the hard, almost unfair truth that your writing will inevitably betray you. That’s why the line lands: it turns the romantic idea of authenticity into something more exacting. You can’t fake your way out of who you are.
Context matters. Saramago came up poor, under Portuguese dictatorship, and carried a lifelong suspicion of official narratives. His novels - parables with sharp political teeth, told in that famously flowing, punctuated-by-breath style - don’t read like neutral constructions. They read like a worldview in motion: skeptical of power, tender toward ordinary people, allergic to easy pieties. The quote frames that as inevitability, not strategy. The intent isn’t self-help; it’s a dare: if you want to write, stop searching for the “secret” and start accounting for the person holding the pen.
The “secret” is sly, too. Saramago gestures toward the mythology of the novelist as someone with hidden tricks, then deflates it. There’s no alchemical formula, no magic key to “voice” beyond the hard, almost unfair truth that your writing will inevitably betray you. That’s why the line lands: it turns the romantic idea of authenticity into something more exacting. You can’t fake your way out of who you are.
Context matters. Saramago came up poor, under Portuguese dictatorship, and carried a lifelong suspicion of official narratives. His novels - parables with sharp political teeth, told in that famously flowing, punctuated-by-breath style - don’t read like neutral constructions. They read like a worldview in motion: skeptical of power, tender toward ordinary people, allergic to easy pieties. The quote frames that as inevitability, not strategy. The intent isn’t self-help; it’s a dare: if you want to write, stop searching for the “secret” and start accounting for the person holding the pen.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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