"I do remember actually learning chords to Beatles songs. I thought they were great songwriters"
About this Quote
Mick Taylor’s compliment lands with the quiet authority of someone who made his name inside rock’s most mythologized machine. He’s not talking about “influence” in the abstract; he’s remembering the unglamorous, private labor of learning chords. That detail matters. It frames the Beatles not as icons on a pedestal but as practical teachers - a vocabulary you pick up with sore fingers and a cheap guitar, then carry into louder rooms.
The intent is almost disarmingly straightforward: admiration for craft. Coming from a musician associated with the Rolling Stones’ tougher, blues-forward identity, “great songwriters” is a pointed choice. Taylor isn’t praising attitude, spectacle, or cultural dominance; he’s praising structure. Chords are the skeleton of a song, and by foregrounding them he’s acknowledging what the Beatles did best: smuggling harmonic sophistication into pop forms that felt effortless. It’s a musician’s compliment, not a fan’s.
The subtext is a little political, rock-politics anyway. Taylor’s era was steeped in tribal narratives - Beatles vs. Stones, melody vs. menace. His memory punctures that rivalry. It suggests a shared apprenticeship across supposedly competing camps, where the real divide isn’t between bands but between those who can write enduring songs and those who can only perform around them.
Contextually, Taylor came up as British rock was professionalizing fast: clubs to stadiums, singles to albums, charisma to composition. Recalling Beatles chords is a way of crediting the scaffolding beneath the mythology: before you’re a legend, you’re a kid trying to get the changes right.
The intent is almost disarmingly straightforward: admiration for craft. Coming from a musician associated with the Rolling Stones’ tougher, blues-forward identity, “great songwriters” is a pointed choice. Taylor isn’t praising attitude, spectacle, or cultural dominance; he’s praising structure. Chords are the skeleton of a song, and by foregrounding them he’s acknowledging what the Beatles did best: smuggling harmonic sophistication into pop forms that felt effortless. It’s a musician’s compliment, not a fan’s.
The subtext is a little political, rock-politics anyway. Taylor’s era was steeped in tribal narratives - Beatles vs. Stones, melody vs. menace. His memory punctures that rivalry. It suggests a shared apprenticeship across supposedly competing camps, where the real divide isn’t between bands but between those who can write enduring songs and those who can only perform around them.
Contextually, Taylor came up as British rock was professionalizing fast: clubs to stadiums, singles to albums, charisma to composition. Recalling Beatles chords is a way of crediting the scaffolding beneath the mythology: before you’re a legend, you’re a kid trying to get the changes right.
Quote Details
| Topic | Music |
|---|
More Quotes by Mick
Add to List



