"I do think that short story writing is often a matter of luck"
About this Quote
There is a sly demystification in Sheckley calling short story writing "often a matter of luck". Coming from a mid-century science fiction satirist who made a career out of tight premises and hard pivots, the line reads less like false modesty and more like a warning about the form itself: in short fiction, you can do everything right and still miss the landing. The distance between "clever" and "alive" is a hairline fracture, and sometimes the story either catches fire in that final paragraph or it doesn’t.
The subtext is an attack on the workshop myth that craft alone guarantees outcomes. Novels can brute-force their way to meaning through accumulation. Short stories don’t have that luxury. They’re closer to a stunt: one misjudged sentence of tone, one metaphor too cute, one twist too explained, and the whole apparatus shows. Luck here is timing, taste, and the mysterious alignment between an idea and its cleanest expression. It’s also editorial fate: the right magazine, the right moment, the right reader in the right mood.
Context matters: Sheckley wrote in an era where science fiction shorts were industrially produced and quickly consumed, yet the best ones felt like they’d slipped a razor blade into the entertainment. Saying it’s luck is a way to keep the blade sharp. It pressures the writer to respect contingency, to stay alert to the accidental gift of a better ending, a stranger angle, a more honest joke. Craft loads the dice; luck still decides the roll.
The subtext is an attack on the workshop myth that craft alone guarantees outcomes. Novels can brute-force their way to meaning through accumulation. Short stories don’t have that luxury. They’re closer to a stunt: one misjudged sentence of tone, one metaphor too cute, one twist too explained, and the whole apparatus shows. Luck here is timing, taste, and the mysterious alignment between an idea and its cleanest expression. It’s also editorial fate: the right magazine, the right moment, the right reader in the right mood.
Context matters: Sheckley wrote in an era where science fiction shorts were industrially produced and quickly consumed, yet the best ones felt like they’d slipped a razor blade into the entertainment. Saying it’s luck is a way to keep the blade sharp. It pressures the writer to respect contingency, to stay alert to the accidental gift of a better ending, a stranger angle, a more honest joke. Craft loads the dice; luck still decides the roll.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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