"I do what I do because of Walt Disney - his films and his theme park and his characters and his joy in entertaining"
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A little awe, a little brand catechism, and a lot of origin-story polish: Lasseter frames his entire creative drive as a direct line back to Walt Disney. On its face, it reads like gratitude. Underneath, it’s a strategic self-placement inside a very American lineage of entertainment-as-mission, where “joy” isn’t just an emotion but an operating principle that justifies the work.
The phrasing matters. He doesn’t cite a single film or a specific lesson in craft; he lists an ecosystem: films, theme park, characters. That catalogue is doing cultural work. It casts Disney not as a studio but as a total world-building machine, an early template for the kind of immersive, IP-driven storytelling Lasseter helped perfect at Pixar and later steward at Disney. In other words, he’s not only praising Walt; he’s describing the blueprint Lasseter himself would follow: build stories that become characters that become experiences that become lifelong habits.
“Joy in entertaining” is the moral shield. It elevates mass appeal from commerce to calling, smoothing over the industrial reality that animation is labor-intensive, corporate, and aggressively iterative. In the late 20th and early 21st century - when Pixar’s success re-legitimized animation as prestige cinema and Disney’s parks became the cathedral of family consumption - invoking Walt reads as both sincere and savvy. It reassures audiences (and gatekeepers) that the work aims for wonder, not mere scale.
The subtext: I’m not just making movies. I’m carrying the torch of a cultural institution that taught people to expect enchantment on demand.
The phrasing matters. He doesn’t cite a single film or a specific lesson in craft; he lists an ecosystem: films, theme park, characters. That catalogue is doing cultural work. It casts Disney not as a studio but as a total world-building machine, an early template for the kind of immersive, IP-driven storytelling Lasseter helped perfect at Pixar and later steward at Disney. In other words, he’s not only praising Walt; he’s describing the blueprint Lasseter himself would follow: build stories that become characters that become experiences that become lifelong habits.
“Joy in entertaining” is the moral shield. It elevates mass appeal from commerce to calling, smoothing over the industrial reality that animation is labor-intensive, corporate, and aggressively iterative. In the late 20th and early 21st century - when Pixar’s success re-legitimized animation as prestige cinema and Disney’s parks became the cathedral of family consumption - invoking Walt reads as both sincere and savvy. It reassures audiences (and gatekeepers) that the work aims for wonder, not mere scale.
The subtext: I’m not just making movies. I’m carrying the torch of a cultural institution that taught people to expect enchantment on demand.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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