"I don't believe in writing anything that I don't know about or haven't researched about personally. I like to transport the reader to places, and in order to do that I have to do the research"
About this Quote
Jackie Collins is staking out something more subversive than a pledge to “accuracy.” She built a career on glossy scandal, sex, and power in settings that readers loved to treat as pure fantasy: Hollywood mansions, hotel suites, backroom deals. Here she insists that the fantasy only lands if it’s engineered like reportage. The line draws a hard boundary between gossip-as-vibe and narrative-as-authority: if she’s going to depict the machinery of desire and ambition, she’s going to know how it runs.
The key move is in “transport.” Collins isn’t talking about language as self-expression; she’s talking about logistics. Research becomes the hidden scaffolding under a page-turner, the unsexy work that lets the sexy parts feel inevitable. That’s the subtext: you don’t get to dismiss her books as trashy when she’s telling you how seriously she takes the reader’s immersion. The voice is practical, almost workmanlike, which is precisely the point; she’s reclaiming professionalism in a genre and a cultural lane that critics often condescended to.
Context matters: Collins wrote in an era when women writing commercial, sexually explicit fiction were policed for both content and credibility. “Personally” doesn’t just mean a library and a notebook; it signals proximity to worlds the public assumes are inaccessible or fabricated. She’s quietly asserting insider status while keeping the magician’s oath: she’ll show you the stage, but not the backstage pass.
The key move is in “transport.” Collins isn’t talking about language as self-expression; she’s talking about logistics. Research becomes the hidden scaffolding under a page-turner, the unsexy work that lets the sexy parts feel inevitable. That’s the subtext: you don’t get to dismiss her books as trashy when she’s telling you how seriously she takes the reader’s immersion. The voice is practical, almost workmanlike, which is precisely the point; she’s reclaiming professionalism in a genre and a cultural lane that critics often condescended to.
Context matters: Collins wrote in an era when women writing commercial, sexually explicit fiction were policed for both content and credibility. “Personally” doesn’t just mean a library and a notebook; it signals proximity to worlds the public assumes are inaccessible or fabricated. She’s quietly asserting insider status while keeping the magician’s oath: she’ll show you the stage, but not the backstage pass.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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