"I don't believe there is any character that one can play for that long and not bring a piece of you to it"
About this Quote
Acting, in Sharon Gless's framing, isn’t a magic trick; it’s a long-term relationship with consequences. The line pushes back against the romantic idea that performers can slip into a role like a costume and walk away untouched. Her emphasis on duration - "for that long" - is the tell: time is the solvent. Stay inside a character through a series run, rehearsals, press cycles, and public expectations, and the boundary between craft and self doesn’t just blur; it gets negotiated daily.
The intent is pragmatic, almost protective. Gless is staking out a truth actors trade in privately while audiences cling to the fantasy of total transformation. The subtext is that repetition builds muscle memory not only in performance but in identity: the rhythms of speech, the moral posture, the emotional temperature of a character can start to feel like home. It’s also a quiet rebuttal to the way celebrity culture insists on clean separations - Sharon the person versus Sharon the role - as if the public has a right to the latter without paying attention to the former.
Context matters because Gless is associated with iconic, long-running television work where characters become cultural fixtures and actors become custodians of them. When a role is that durable, it leaks into interviews, fan interactions, even how a performer is seen in the street. Her point isn’t that the actor disappears; it’s that the actor is always present, smuggled into the performance in small, accumulating pieces. That’s not a loss of authenticity. It’s the cost, and the power, of staying.
The intent is pragmatic, almost protective. Gless is staking out a truth actors trade in privately while audiences cling to the fantasy of total transformation. The subtext is that repetition builds muscle memory not only in performance but in identity: the rhythms of speech, the moral posture, the emotional temperature of a character can start to feel like home. It’s also a quiet rebuttal to the way celebrity culture insists on clean separations - Sharon the person versus Sharon the role - as if the public has a right to the latter without paying attention to the former.
Context matters because Gless is associated with iconic, long-running television work where characters become cultural fixtures and actors become custodians of them. When a role is that durable, it leaks into interviews, fan interactions, even how a performer is seen in the street. Her point isn’t that the actor disappears; it’s that the actor is always present, smuggled into the performance in small, accumulating pieces. That’s not a loss of authenticity. It’s the cost, and the power, of staying.
Quote Details
| Topic | Movie |
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