"I don't consider myself to be particularly gifted in the way that other filmmakers are gifted"
About this Quote
Soderbergh’s “I don’t consider myself to be particularly gifted…” is less false modesty than a strategic self-myth: the director as industrious operator, not mystical auteur. Coming from someone who’s made sex, lies, and videotape, Erin Brockovich, Traffic, Ocean’s Eleven, and a long tail of formally restless experiments, the line reads like a quiet refusal of the genius narrative Hollywood loves to sell. “Gifted” implies a fixed endowment, a rarefied spark. Soderbergh’s career argues for something else: range as discipline, craft as curiosity, productivity as worldview.
The subtext is partly defensive and partly liberating. By downplaying “gift,” he inoculates himself against the romanticized expectation that every film must arrive as a masterpiece delivered by inspiration. If you’re “not particularly gifted,” you’re allowed to try things that might fail, to pivot between studio entertainments and tiny digital curios, to treat cinema like a lab. That posture also deflates the auteur cult without denying authorship; it shifts attention from personality to process. He’s telling you where the work is: in choices, in systems, in repetition.
Context matters: Soderbergh has often talked like a technician - cinematographer, editor, director, sometimes all at once - and he’s been outspoken about the industry’s economics, distribution, and the grind of making things. The quote doubles as cultural critique. In an era that prizes branding and “visionary” self-presentation, he’s staking out a more bracing ethic: maybe the real talent is showing up, staying nimble, and making the next one.
The subtext is partly defensive and partly liberating. By downplaying “gift,” he inoculates himself against the romanticized expectation that every film must arrive as a masterpiece delivered by inspiration. If you’re “not particularly gifted,” you’re allowed to try things that might fail, to pivot between studio entertainments and tiny digital curios, to treat cinema like a lab. That posture also deflates the auteur cult without denying authorship; it shifts attention from personality to process. He’s telling you where the work is: in choices, in systems, in repetition.
Context matters: Soderbergh has often talked like a technician - cinematographer, editor, director, sometimes all at once - and he’s been outspoken about the industry’s economics, distribution, and the grind of making things. The quote doubles as cultural critique. In an era that prizes branding and “visionary” self-presentation, he’s staking out a more bracing ethic: maybe the real talent is showing up, staying nimble, and making the next one.
Quote Details
| Topic | Humility |
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