"I don't expect that we're going to become the biggest craze. If it happened, I'd be really shocked. I think people will dig it, but there will be a sea of people who just don't get it"
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Diamond’s line lands like a preemptive shrug, the kind performers master when they’ve lived long enough inside a machine that chews up hype and spits out punchlines. “I don’t expect… biggest craze” isn’t humility so much as self-defense: if you downplay the ceiling, you control the fall. It’s the actor’s version of not reading the reviews until after opening night, except he’s reading them in advance.
The tell is the emotional pivot: “If it happened, I’d be really shocked.” Shock implies distance from the cultural arbiters who decide what becomes a phenomenon. He’s admitting he doesn’t feel protected by the usual scaffolding of stardom - marketing budgets, critical goodwill, a clean narrative. That tracks with Diamond’s particular corner of pop culture: famous enough to be recognized, boxed in enough to be caricatured. When your public identity is tethered to a single character, the idea of a “craze” feels less like triumph than like an unpredictable weather event.
Then comes the real thesis: “people will dig it” versus “a sea of people who just don’t get it.” He’s not chasing universal appeal; he’s bracing for misreadings. “Don’t get it” is doing double work: it flatters the in-crowd (you, the ones with taste) and anticipates ridicule from the mainstream. The subtext is a bet on cult status over mass approval, a way of making selective appreciation feel like victory rather than consolation.
The tell is the emotional pivot: “If it happened, I’d be really shocked.” Shock implies distance from the cultural arbiters who decide what becomes a phenomenon. He’s admitting he doesn’t feel protected by the usual scaffolding of stardom - marketing budgets, critical goodwill, a clean narrative. That tracks with Diamond’s particular corner of pop culture: famous enough to be recognized, boxed in enough to be caricatured. When your public identity is tethered to a single character, the idea of a “craze” feels less like triumph than like an unpredictable weather event.
Then comes the real thesis: “people will dig it” versus “a sea of people who just don’t get it.” He’s not chasing universal appeal; he’s bracing for misreadings. “Don’t get it” is doing double work: it flatters the in-crowd (you, the ones with taste) and anticipates ridicule from the mainstream. The subtext is a bet on cult status over mass approval, a way of making selective appreciation feel like victory rather than consolation.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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