"I don't have the feeling that as a very young person I read books that absolutely made their mark on my mind"
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It’s a deliberately unromantic origin story: no sacred text, no teenage conversion moment, no tidy myth of the “born thinker.” Lifton’s phrasing resists the cultural script that serious intellectual lives begin with a formative book that “marks” you forever. As a psychologist who spent decades studying extremity - war, trauma, cults, genocide - he’s wary of exactly that kind of imprinting. The sentence reads like a small act of intellectual hygiene.
The key move is the double hedge: “I don’t have the feeling” and “absolutely.” He’s not claiming he read nothing important; he’s refusing certainty about his own internal history. That’s very Lifton: identity as something revised over time, memory as a story we keep editing, influence as cumulative rather than lightning-strike. By undercutting the romance of youthful genius, he also undercuts a dangerous idea that runs through his work: the desire for total answers, total commitments, total narratives. “Absolutely” is the tell - it’s the same word cult leaders and ideologues love, and he’s stepping away from it.
Context matters, too. Lifton came of age around World War II and then immersed himself in survivors of Hiroshima and in veterans and victims of political violence. Against that backdrop, the notion that a book could neatly “make its mark” starts to sound naive, even privileged. His intellectual formation likely came less from solitary reading and more from witnessing: listening, interviewing, absorbing the messy evidence of human behavior. The subtext is an ethic: think in layers, distrust instant conversions, and let experience - especially other people’s experience - do the slow work that slogans can’t.
The key move is the double hedge: “I don’t have the feeling” and “absolutely.” He’s not claiming he read nothing important; he’s refusing certainty about his own internal history. That’s very Lifton: identity as something revised over time, memory as a story we keep editing, influence as cumulative rather than lightning-strike. By undercutting the romance of youthful genius, he also undercuts a dangerous idea that runs through his work: the desire for total answers, total commitments, total narratives. “Absolutely” is the tell - it’s the same word cult leaders and ideologues love, and he’s stepping away from it.
Context matters, too. Lifton came of age around World War II and then immersed himself in survivors of Hiroshima and in veterans and victims of political violence. Against that backdrop, the notion that a book could neatly “make its mark” starts to sound naive, even privileged. His intellectual formation likely came less from solitary reading and more from witnessing: listening, interviewing, absorbing the messy evidence of human behavior. The subtext is an ethic: think in layers, distrust instant conversions, and let experience - especially other people’s experience - do the slow work that slogans can’t.
Quote Details
| Topic | Book |
|---|---|
| Source | Help us find the source |
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