"I don't know. I think it's funny! I think it's funny! I go, what? It's so absurd. I'm alone"
About this Quote
Panic and punchline land in the same breath here, which is exactly the DeVito magic: the sudden insistence on humor as both a shield and a flare. The doubled “I think it’s funny!” isn’t just emphasis, it’s a defensive rhythm, like he’s trying to convince the room - or himself - that the laugh is real, earned, safe. “I don’t know” opens with a shrug that reads less like uncertainty than a refusal to be pinned down. The line keeps slipping away from interpretation, the way comedians and actors do when they’ve learned that explanation kills the bit.
Then comes the pivot: “I go, what?” That little internal reenactment is pure performance. It turns confusion into a playable reaction, the kind you can repeat, sharpen, and sell. “It’s so absurd” is the key word because DeVito’s persona has always thrived on absurdity with consequences: small bodies in big systems, outsized reactions to petty indignities, dignity collapsing in real time. Absurdity isn’t an escape hatch; it’s a lens that makes cruelty and chaos legible.
The kicker is “I’m alone.” It drops the temperature. Suddenly the humor reads as a coping mechanism, an actor’s professional reflex when there’s no one to mirror you back. In context - interviews, on-set anecdotes, career retrospectives - DeVito often frames the ridiculous as survival: if you can laugh at the madness, you can control it for a second. The line works because it stages that control slipping, then grabs it again with a joke.
Then comes the pivot: “I go, what?” That little internal reenactment is pure performance. It turns confusion into a playable reaction, the kind you can repeat, sharpen, and sell. “It’s so absurd” is the key word because DeVito’s persona has always thrived on absurdity with consequences: small bodies in big systems, outsized reactions to petty indignities, dignity collapsing in real time. Absurdity isn’t an escape hatch; it’s a lens that makes cruelty and chaos legible.
The kicker is “I’m alone.” It drops the temperature. Suddenly the humor reads as a coping mechanism, an actor’s professional reflex when there’s no one to mirror you back. In context - interviews, on-set anecdotes, career retrospectives - DeVito often frames the ridiculous as survival: if you can laugh at the madness, you can control it for a second. The line works because it stages that control slipping, then grabs it again with a joke.
Quote Details
| Topic | Loneliness |
|---|---|
| Source | Help us find the source |
More Quotes by Danny
Add to List

