"I don't know, the older I get, the more complicated I think I get, which is a hindrance"
About this Quote
Aging is supposed to sand down your rough edges; Kim Weston admits it does the opposite. The line lands because it refuses the usual “wisdom with time” narrative and replaces it with something truer for a working artist: accumulating experience doesn’t just add skill, it adds noise. “I don’t know” isn’t coyness, it’s a deliberate opening of the frame - an acknowledgement that certainty can be the enemy of seeing. For a photographer, especially one shaped by a legacy name and a tradition of careful, formal looking, that self-doubt reads as both humility and method.
The subtext is that complication is not purely intellectual; it’s emotional and historical. The older you get, the more references you carry, the more self-protective stories you build, the more you anticipate how an image will be received. That anticipatory mind is the “hindrance”: it can crowd out the clean, animal moment of attention that good photographs depend on. Weston’s phrasing is almost rueful, as if he’s describing a camera that’s been over-accessorized until it’s harder to use.
Contextually, it’s a quiet critique of adult sophistication as a kind of aesthetic tax. Youth can be reckless, but it’s also light: fewer expectations, fewer rehearsed meanings. Weston is naming the trade-off artists rarely admit in public. Complexity can deepen the work, but it can also slow the shutter - turning instinct into deliberation, and deliberation into paralysis.
The subtext is that complication is not purely intellectual; it’s emotional and historical. The older you get, the more references you carry, the more self-protective stories you build, the more you anticipate how an image will be received. That anticipatory mind is the “hindrance”: it can crowd out the clean, animal moment of attention that good photographs depend on. Weston’s phrasing is almost rueful, as if he’s describing a camera that’s been over-accessorized until it’s harder to use.
Contextually, it’s a quiet critique of adult sophistication as a kind of aesthetic tax. Youth can be reckless, but it’s also light: fewer expectations, fewer rehearsed meanings. Weston is naming the trade-off artists rarely admit in public. Complexity can deepen the work, but it can also slow the shutter - turning instinct into deliberation, and deliberation into paralysis.
Quote Details
| Topic | Aging |
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