"I don't know what its like for most actors, but really clearly for myself acting has always been the fulfilment of personal fantasies. It isn't just art, its about being a person I've always wanted to be, or being in a situation, or being a hero"
About this Quote
Dreyfuss lets the mask slip and, in doing so, tells you something refreshingly unromantic about the romance of acting: it can be a sanctioned form of wish-fulfillment. The careful caveat up front - "I don't know what it's like for most actors" - is a social survival tactic. He’s avoiding the industry’s favorite trap: talking like there’s one noble, universal motive. Then he pivots to "really clearly for myself", a phrase that signals confession rather than branding.
The engine of the quote is the demotion of "art". By saying it "isn't just art", he doesn’t dismiss craft; he punctures the piety around it. Acting becomes less about creating beauty for an audience and more about borrowing an identity with permission. That word "fulfilment" carries the slightly guilty charge of desire satisfied, not a mission accomplished. It frames performance as private need meeting public spectacle.
The fantasies he names are tellingly archetypal: "a person I've always wanted to be", "being in a situation", "being a hero". Not "being famous", not "being admired" - the fantasy is experiential. It’s about agency, stakes, moral clarity, the kinds of narrative conditions ordinary life rarely supplies. Coming from an actor whose most iconic roles often hinge on competence under pressure and principled outrage, the subtext lands: he isn’t chasing escape so much as rehearsing a better self, in front of everyone, over and over.
The engine of the quote is the demotion of "art". By saying it "isn't just art", he doesn’t dismiss craft; he punctures the piety around it. Acting becomes less about creating beauty for an audience and more about borrowing an identity with permission. That word "fulfilment" carries the slightly guilty charge of desire satisfied, not a mission accomplished. It frames performance as private need meeting public spectacle.
The fantasies he names are tellingly archetypal: "a person I've always wanted to be", "being in a situation", "being a hero". Not "being famous", not "being admired" - the fantasy is experiential. It’s about agency, stakes, moral clarity, the kinds of narrative conditions ordinary life rarely supplies. Coming from an actor whose most iconic roles often hinge on competence under pressure and principled outrage, the subtext lands: he isn’t chasing escape so much as rehearsing a better self, in front of everyone, over and over.
Quote Details
| Topic | Art |
|---|
More Quotes by Richard
Add to List



