"I don't like telling people where I stand on this, although I'm surprised anybody wonders. I suppose if I say I'm pro-choice, if I make that clear, it let's the audience off the hook, then they can sort of relax. Okay, it's alright he's pro-choice then I can enjoy this"
About this Quote
Solondz is admitting, with a kind of dry mischief, that politics can become an audience-management tool. He’s not claiming neutrality; he’s resisting the ritual of ideological check-in that turns art into a loyalty test. The line “I’m surprised anybody wonders” carries a quietly scolding implication: if you’re paying attention to the work, you already know the moral weather. But saying it out loud changes the transaction. It turns a film from an uncomfortable encounter into a consumable product stamped SAFE.
The sharpest move is his framing of “pro-choice” not as a conviction but as a release valve. He understands that viewers often arrive anxious, scanning for cues about whether they’re allowed to laugh, empathize, or stay seated without being implicated. “Let’s the audience off the hook” is the key phrase: a hook is what keeps you attached, uneasy, accountable. Solondz’s cinema thrives on that tension, on the refusal to provide clean exits. Declaring the “right” position can function like an ethical spoiler, pre-clearing guilt so the viewer can “relax” and enjoy the show, congratulating themselves for picking the correct team.
The context here is a culture that increasingly treats artists as brand ambassadors for political identity, and controversial subjects (abortion especially) as litmus tests. Solondz is pushing back against the demand for a preface that tells you how to feel. His intent is less evasive than strategic: keep the discomfort intact, keep the audience working, deny them the easy comfort of agreement as entertainment.
The sharpest move is his framing of “pro-choice” not as a conviction but as a release valve. He understands that viewers often arrive anxious, scanning for cues about whether they’re allowed to laugh, empathize, or stay seated without being implicated. “Let’s the audience off the hook” is the key phrase: a hook is what keeps you attached, uneasy, accountable. Solondz’s cinema thrives on that tension, on the refusal to provide clean exits. Declaring the “right” position can function like an ethical spoiler, pre-clearing guilt so the viewer can “relax” and enjoy the show, congratulating themselves for picking the correct team.
The context here is a culture that increasingly treats artists as brand ambassadors for political identity, and controversial subjects (abortion especially) as litmus tests. Solondz is pushing back against the demand for a preface that tells you how to feel. His intent is less evasive than strategic: keep the discomfort intact, keep the audience working, deny them the easy comfort of agreement as entertainment.
Quote Details
| Topic | Human Rights |
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