"I don't look at scripts in terms of commerciality. I just look at the part, the people involved"
About this Quote
The subtext is even sharper in the second clause: “the people involved.” That’s not idealism; it’s survival. Hollywood runs on packages and reputations, and Fiorentino’s emphasis on collaborators reads like a veteran’s shorthand for trust, taste, and leverage. Great roles can be squandered by weak directors, chaotic sets, or producers who treat actors as replaceable units. She’s saying she chooses ecosystems, not just characters.
Context matters because Fiorentino’s career, especially in the 1990s, was marked by a particular kind of cool: smart, acerbic, controlled, often playing women who weren’t built to be liked on cue. Those roles tend to flourish outside “commercial” calculation anyway; they’re sharper than they are broad. Her stance doubles as a subtle critique of an industry that sells authenticity while constantly pressuring performers to shop for relevance. By making the decision sound almost simple, she exposes how complicated it usually is.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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Citation Formats
APA Style (7th ed.)
Fiorentino, Linda. (2026, January 16). I don't look at scripts in terms of commerciality. I just look at the part, the people involved. FixQuotes. https://fixquotes.com/quotes/i-dont-look-at-scripts-in-terms-of-commerciality-127322/
Chicago Style
Fiorentino, Linda. "I don't look at scripts in terms of commerciality. I just look at the part, the people involved." FixQuotes. January 16, 2026. https://fixquotes.com/quotes/i-dont-look-at-scripts-in-terms-of-commerciality-127322/.
MLA Style (9th ed.)
"I don't look at scripts in terms of commerciality. I just look at the part, the people involved." FixQuotes, 16 Jan. 2026, https://fixquotes.com/quotes/i-dont-look-at-scripts-in-terms-of-commerciality-127322/. Accessed 22 Feb. 2026.

