"I don't mind UFO's and ghost stories, it's just that I tend to give value to the storyteller rather than to the story itself"
About this Quote
There is a quietly radical modesty in Stack's position: he isn't scoffing at UFOs or ghosts, he's demoting them. The strange and the supernatural can stay onstage; what matters is the human being holding the spotlight. Coming from an actor best known for Unsolved Mysteries, that inversion reads like a professional creed. The show sold chills, but Stack is telling you the real product was always testimony: the timbre of a voice, the confidence of a recounting, the gaps where fear or desire leaks through.
The intent is pragmatic. Stack isn't trying to arbitrate reality, he's describing how he measures meaning. "Value" is doing heavy lifting here. He's not asking whether the story is true; he's asking what it reveals about the person compelled to tell it. That gently reframes paranormal narratives as social artifacts: less proof of visitors from elsewhere than evidence of how people process uncertainty, grief, boredom, or the need to be heard.
The subtext is also a performance note. A good storyteller can make the implausible feel intimate; a bad one can flatten even the extraordinary. Stack, trained in the craft of presence, hears credibility not as fact-checking but as character. It's a stance that respects the audience, too: you can indulge mystery without surrendering your judgment.
In the late 20th-century media landscape, when tabloid TV and fringe belief were becoming mainstream entertainment, Stack's line draws a clean boundary. He keeps the fun, refuses the credulity, and quietly reminds you that the real haunting is always human.
The intent is pragmatic. Stack isn't trying to arbitrate reality, he's describing how he measures meaning. "Value" is doing heavy lifting here. He's not asking whether the story is true; he's asking what it reveals about the person compelled to tell it. That gently reframes paranormal narratives as social artifacts: less proof of visitors from elsewhere than evidence of how people process uncertainty, grief, boredom, or the need to be heard.
The subtext is also a performance note. A good storyteller can make the implausible feel intimate; a bad one can flatten even the extraordinary. Stack, trained in the craft of presence, hears credibility not as fact-checking but as character. It's a stance that respects the audience, too: you can indulge mystery without surrendering your judgment.
In the late 20th-century media landscape, when tabloid TV and fringe belief were becoming mainstream entertainment, Stack's line draws a clean boundary. He keeps the fun, refuses the credulity, and quietly reminds you that the real haunting is always human.
Quote Details
| Topic | Truth |
|---|---|
| Source | Help us find the source |
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