"I don't often go to a place just to check out all the cultural sites of a city"
About this Quote
A travel brag turned inside out: Joe Sacco’s line rejects the polite itinerary of “culture” as something you consume on schedule. Coming from a journalist best known for comics reportage in war zones and occupied territories, it reads less like anti-intellectualism than a refusal of the museum-first gaze. Cultural sites promise a city that’s already been curated, captioned, and made safe for outsiders. Sacco’s work thrives on the opposite: messy proximity, long conversations, the unphotogenic edges where power shows itself.
The intent is methodological. He’s signaling that his interest in place isn’t satisfied by monuments or heritage branding; he’s after lived experience, the friction between what a city advertises and what it withholds. The subtext is a critique of tourism’s moral alibi, the idea that ticking off cathedrals and galleries is a meaningful encounter with “real” life. Sacco implies that the real story sits elsewhere: in neighborhoods shaped by policy, in workplaces, in the aftermath of violence, in the ordinary routines that don’t get plaques.
It also quietly defends his medium. Sacco draws people in rooms, at tables, in streetscapes that aren’t postcard material. The line frames “cultural sites” as a kind of prewritten narrative, while his reporting builds culture from testimony, gesture, and context. Even the phrasing, “just to check out,” punctures the performative sheen of cultural consumption. He’s not denying culture; he’s questioning who gets to define it, and why the official version is often the least revealing.
The intent is methodological. He’s signaling that his interest in place isn’t satisfied by monuments or heritage branding; he’s after lived experience, the friction between what a city advertises and what it withholds. The subtext is a critique of tourism’s moral alibi, the idea that ticking off cathedrals and galleries is a meaningful encounter with “real” life. Sacco implies that the real story sits elsewhere: in neighborhoods shaped by policy, in workplaces, in the aftermath of violence, in the ordinary routines that don’t get plaques.
It also quietly defends his medium. Sacco draws people in rooms, at tables, in streetscapes that aren’t postcard material. The line frames “cultural sites” as a kind of prewritten narrative, while his reporting builds culture from testimony, gesture, and context. Even the phrasing, “just to check out,” punctures the performative sheen of cultural consumption. He’s not denying culture; he’s questioning who gets to define it, and why the official version is often the least revealing.
Quote Details
| Topic | Travel |
|---|---|
| Source | Help us find the source |
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