"I don't read anything anymore. I don't have the eyesight. I read my own copy, that's all. I think I've read everything that's worth reading"
About this Quote
There’s a deliciously barbed self-portrait hiding in Gould’s complaint: the great reader who has stopped reading, the writer who has narrowed the world to his own pages. On the surface it’s an old man’s concession to failing eyesight. Underneath, it’s a performance of authority - and a sly joke about what authority costs.
Gould’s line works because it braids frailty and swagger so tightly you can’t separate them. “I don’t read anything anymore” signals retreat, even a little shame; “I read my own copy” flips that retreat into self-canonization. He casts himself as both victim of the body and curator of a completed culture. The final claim - “I think I’ve read everything that’s worth reading” - isn’t meant to be literally true. It’s the kind of provocation writers use to reassert control when time, health, and the endless churn of new books threaten to make them irrelevant. It’s also a satirical jab at literary fashion: if the market keeps producing “new” work, maybe the problem isn’t his eyesight but the diminishing returns of novelty.
Context matters here. Nineteenth-century print culture exploded: more periodicals, more pamphlets, more books aimed at a swelling middle-class readership. For a working writer, that abundance could feel less like enlightenment than noise. Gould’s quip compresses that anxiety into a crisp pose: exhaustion disguised as superiority, disengagement reframed as discernment. It’s cynicism as self-defense - the last refuge of someone who wants to be finished on his own terms.
Gould’s line works because it braids frailty and swagger so tightly you can’t separate them. “I don’t read anything anymore” signals retreat, even a little shame; “I read my own copy” flips that retreat into self-canonization. He casts himself as both victim of the body and curator of a completed culture. The final claim - “I think I’ve read everything that’s worth reading” - isn’t meant to be literally true. It’s the kind of provocation writers use to reassert control when time, health, and the endless churn of new books threaten to make them irrelevant. It’s also a satirical jab at literary fashion: if the market keeps producing “new” work, maybe the problem isn’t his eyesight but the diminishing returns of novelty.
Context matters here. Nineteenth-century print culture exploded: more periodicals, more pamphlets, more books aimed at a swelling middle-class readership. For a working writer, that abundance could feel less like enlightenment than noise. Gould’s quip compresses that anxiety into a crisp pose: exhaustion disguised as superiority, disengagement reframed as discernment. It’s cynicism as self-defense - the last refuge of someone who wants to be finished on his own terms.
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| Source | Help us find the source |
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