"I don't really have preferred roles except those with some complexity"
About this Quote
There is a quiet flex in Richard Roxburgh's refusal to name a "preferred role". Actors are routinely asked to brand themselves - hero, villain, romantic lead, quirky sidekick - because the industry loves a clean product. Roxburgh's line dodges that trap while still staking a claim: he isn't chasing status or type, he's chasing texture. The kicker is the qualifier, "except those with some complexity", which sounds modest but functions like a mission statement. It signals taste, craft, and impatience with characters written as props.
The subtext is a critique of the casting machine. "Preferred roles" implies a menu of archetypes; "complexity" implies people. Roxburgh isn't just asking for moral ambiguity; he's asking for contradiction, the kind of internal weather that gives a performance something to argue with. It's also a way of asserting agency without sounding precious. Actors can't always choose their work, but they can frame their choices as standards rather than compromises.
Context matters: Roxburgh's career has moved between Australian film, international projects, theater, and television, often in parts that play with menace, vulnerability, or intelligence. A statement like this reads as both self-description and gentle pressure on writers and producers: give me characters who change, who surprise themselves, who aren't there to deliver plot. In a culture that rewards instantly legible personalities, he's advocating for the messy middle - where acting stops being display and becomes investigation.
The subtext is a critique of the casting machine. "Preferred roles" implies a menu of archetypes; "complexity" implies people. Roxburgh isn't just asking for moral ambiguity; he's asking for contradiction, the kind of internal weather that gives a performance something to argue with. It's also a way of asserting agency without sounding precious. Actors can't always choose their work, but they can frame their choices as standards rather than compromises.
Context matters: Roxburgh's career has moved between Australian film, international projects, theater, and television, often in parts that play with menace, vulnerability, or intelligence. A statement like this reads as both self-description and gentle pressure on writers and producers: give me characters who change, who surprise themselves, who aren't there to deliver plot. In a culture that rewards instantly legible personalities, he's advocating for the messy middle - where acting stops being display and becomes investigation.
Quote Details
| Topic | Movie |
|---|
More Quotes by Richard
Add to List
