"I don't say we all ought to misbehave, but we ought to look as if we could"
About this Quote
Welles is selling a posture, not a program: the charisma of plausible danger. "I don't say we all ought to misbehave" is a little moral throat-clearing, the kind public figures learn to do before they light the match. Then comes the real point: "we ought to look as if we could". The verb choice matters. Not be. Look. In Welles's world, appearance is a form of power, and the threat of rebellion is often more socially useful than the act itself.
For an actor-director who built a career on grand entrances, booming authority, and controlled chaos (from the Mercury Theatre's rule-breaking bravado to the War of the Worlds broadcast that proved how easily mass attention can be hijacked), the line reads like a credo. Respectability is a costume; keep it slightly unbuttoned. The subtext is that conformity is safest when it has a pressure valve: you can sit at the table, but you should radiate the ability to flip it.
It's also a canny social critique. "Looking capable of misbehavior" is how you resist being managed: by institutions, by polite society, by the deadening expectation that adults should be predictable. Welles isn't romanticizing delinquency; he's advocating for a visible margin of autonomy. The wink is that this is exactly what show business trades in: the carefully staged illusion of someone who might go off-script, even when every beat is rehearsed.
For an actor-director who built a career on grand entrances, booming authority, and controlled chaos (from the Mercury Theatre's rule-breaking bravado to the War of the Worlds broadcast that proved how easily mass attention can be hijacked), the line reads like a credo. Respectability is a costume; keep it slightly unbuttoned. The subtext is that conformity is safest when it has a pressure valve: you can sit at the table, but you should radiate the ability to flip it.
It's also a canny social critique. "Looking capable of misbehavior" is how you resist being managed: by institutions, by polite society, by the deadening expectation that adults should be predictable. Welles isn't romanticizing delinquency; he's advocating for a visible margin of autonomy. The wink is that this is exactly what show business trades in: the carefully staged illusion of someone who might go off-script, even when every beat is rehearsed.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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