"I don't see it in terms of changing things, but rather using language and music as weapons for fighting a mainstream media which is predominately right wing, and loyal to the political framework and its corporate interests"
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Yorke’s power move here is refusing the tidy, PR-friendly verb "change". Change suggests progress you can measure, a before-and-after narrative the culture industry loves. "Weapons", by contrast, implies an ongoing fight: messy, asymmetric, and personal. He frames language and music not as therapy or self-expression, but as tools meant to bruise the story the public is being sold.
The target is tellingly specific: "mainstream media" as an ideological machine, "predominately right wing" not just in party terms but in reflexes - deference to power, comfort with hierarchy, suspicion of dissent. Yorke’s real accusation lands in the next clause: "loyal to the political framework and its corporate interests". That’s less about individual bad actors than about an ecosystem where access, advertising, and ownership produce the same predictable range of acceptable opinions. The subtext: even when the media looks pluralistic, its boundaries are policed by money.
This line also reads like an artist defining a lane after the 90s alternative boom got absorbed into the very marketplace it once sneered at. Radiohead’s era saw guitars turned into branding, rebellion rendered into lifestyle content. So Yorke chooses "fighting" over "fixing" - a stance that justifies difficulty, abstraction, even alienation. If the problem is a narrative regime, the counterattack isn’t a policy memo; it’s destabilization. Make people feel the cracks. Make certainty expensive.
The target is tellingly specific: "mainstream media" as an ideological machine, "predominately right wing" not just in party terms but in reflexes - deference to power, comfort with hierarchy, suspicion of dissent. Yorke’s real accusation lands in the next clause: "loyal to the political framework and its corporate interests". That’s less about individual bad actors than about an ecosystem where access, advertising, and ownership produce the same predictable range of acceptable opinions. The subtext: even when the media looks pluralistic, its boundaries are policed by money.
This line also reads like an artist defining a lane after the 90s alternative boom got absorbed into the very marketplace it once sneered at. Radiohead’s era saw guitars turned into branding, rebellion rendered into lifestyle content. So Yorke chooses "fighting" over "fixing" - a stance that justifies difficulty, abstraction, even alienation. If the problem is a narrative regime, the counterattack isn’t a policy memo; it’s destabilization. Make people feel the cracks. Make certainty expensive.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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