"I don't see myself necessarily having a burning desire to write a symphony"
About this Quote
Elfman’s line is a quiet flex disguised as a shrug. Coming from a composer who’s already written some of the most instantly recognizable film music of the last four decades, “I don’t see myself” isn’t insecurity - it’s refusal. The phrase “necessarily” does a lot of work: it preempts the inevitable expectation that a “serious” composer eventually cashes in their credibility chips for the concert hall, like it’s a graduation ceremony. Elfman’s point is that the symphony isn’t a finish line; it’s just another format, with its own politics and gatekeepers.
The telling detail is “burning desire.” He’s not denying the skill, he’s denying the myth that ambition must take the shape the cultural establishment approves of. In a world that still treats film scoring as applied art - craft, commerce, branding - the symphony becomes a symbol of legitimacy. Elfman’s career has always complicated that hierarchy: a pop outsider (Oingo Boingo) turned Hollywood mainstay who smuggled oddness into mainstream cinema. So the subtext is autonomy: I’ll write what my life and instincts demand, not what tradition demands to certify me.
There’s also a generational context. Elfman came up when genre boundaries were policed hard, when “serious” meant a specific lineage. His comment reads like a veteran’s weariness with that old audition. Not every artist wants to be redeemed by an orchestra in a tux; some already did their real work in the dark, syncing emotion to images, and they don’t need the symphony to make it count.
The telling detail is “burning desire.” He’s not denying the skill, he’s denying the myth that ambition must take the shape the cultural establishment approves of. In a world that still treats film scoring as applied art - craft, commerce, branding - the symphony becomes a symbol of legitimacy. Elfman’s career has always complicated that hierarchy: a pop outsider (Oingo Boingo) turned Hollywood mainstay who smuggled oddness into mainstream cinema. So the subtext is autonomy: I’ll write what my life and instincts demand, not what tradition demands to certify me.
There’s also a generational context. Elfman came up when genre boundaries were policed hard, when “serious” meant a specific lineage. His comment reads like a veteran’s weariness with that old audition. Not every artist wants to be redeemed by an orchestra in a tux; some already did their real work in the dark, syncing emotion to images, and they don’t need the symphony to make it count.
Quote Details
| Topic | Music |
|---|
More Quotes by Danny
Add to List

