"I don't sit around thinking that I'd like to have another husband; only another man would make me think that way"
About this Quote
Bacall delivers this like a cigarette exhale: cool, clipped, and a little dangerous. On the surface, it’s a widow’s refusal to treat marriage as a vacancy to be refilled. The sharper move is how she reroutes desire away from social expectation and back toward actual chemistry. She’s not “looking for a husband” because “husband” is a role the world can pressure you to restock. What could change her mind isn’t loneliness or propriety, but the arrival of a specific man capable of reordering her inner life. Romance, in her telling, is an event, not an errand.
The line works because it flips agency without sounding defensive. Bacall doesn’t plead loyalty or announce she’s “done with men.” She claims a harder, sexier sovereignty: the only force that could make her want remarriage is attraction itself. It’s also a neat rebuke to the cultural script that treats widows as problems to solve, as if the correct sequel to a great love is another legally sanctioned pairing.
Context matters. Bacall’s public identity was forged in old Hollywood’s machinery of coupling, most famously with Humphrey Bogart, a marriage turned into myth. After a relationship like that, the expectation isn’t just dating; it’s narrative maintenance. Her quip refuses to audition for the next chapter. It leaves the door unlocked, not ajar for society’s comfort, but open only to the rare person who earns the right to change the plot.
The line works because it flips agency without sounding defensive. Bacall doesn’t plead loyalty or announce she’s “done with men.” She claims a harder, sexier sovereignty: the only force that could make her want remarriage is attraction itself. It’s also a neat rebuke to the cultural script that treats widows as problems to solve, as if the correct sequel to a great love is another legally sanctioned pairing.
Context matters. Bacall’s public identity was forged in old Hollywood’s machinery of coupling, most famously with Humphrey Bogart, a marriage turned into myth. After a relationship like that, the expectation isn’t just dating; it’s narrative maintenance. Her quip refuses to audition for the next chapter. It leaves the door unlocked, not ajar for society’s comfort, but open only to the rare person who earns the right to change the plot.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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