"I don't think I could be terribly demanding even if I wanted to be"
About this Quote
A line like this lands because it performs modesty while quietly staking out power. Stephanie Zimbalist’s “I don’t think I could be terribly demanding even if I wanted to be” isn’t just self-effacement; it’s a finely tuned piece of persona management from an actress in an industry that punishes women for the exact behavior it rewards in men. The wording does two jobs at once: it reassures (“I’m easy, I’m not trouble”) and it preemptively disarms the stereotype of the “difficult” actress before anyone can reach for it.
The interesting hinge is “even if I wanted to be.” That clause admits desire without claiming it. She’s not saying she lacks standards; she’s saying her temperament (or her social training) keeps her from exercising them loudly. It’s a confession shaped to be socially acceptable: ambition and needs get translated into likability. “Terribly” also softens the whole thing, framing demandingness as a moral excess rather than a professional boundary. That’s a culturally legible move in entertainment, where asking for basic respect can be recoded as attitude.
Context matters: Zimbalist came up in a television era that sold approachable competence, and her most famous role, Laura Holt on Remington Steele, played a woman constantly negotiating credit and authority. The quote echoes that dynamic off-screen: a professional signaling she can cooperate, while hinting at the quiet cost of having to. It works because it’s a small sentence with a big survival strategy tucked inside.
The interesting hinge is “even if I wanted to be.” That clause admits desire without claiming it. She’s not saying she lacks standards; she’s saying her temperament (or her social training) keeps her from exercising them loudly. It’s a confession shaped to be socially acceptable: ambition and needs get translated into likability. “Terribly” also softens the whole thing, framing demandingness as a moral excess rather than a professional boundary. That’s a culturally legible move in entertainment, where asking for basic respect can be recoded as attitude.
Context matters: Zimbalist came up in a television era that sold approachable competence, and her most famous role, Laura Holt on Remington Steele, played a woman constantly negotiating credit and authority. The quote echoes that dynamic off-screen: a professional signaling she can cooperate, while hinting at the quiet cost of having to. It works because it’s a small sentence with a big survival strategy tucked inside.
Quote Details
| Topic | Humility |
|---|---|
| Source | Help us find the source |
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