"I don't think I have ever met a single person who isn't moved by music of some kind"
About this Quote
Garrett’s line reads like a polite assertion, but it carries the quiet swagger of someone who’s spent a career watching music disarm people who swear they’re immune. The key move is the double negative: “I don’t think” and “isn’t moved.” She isn’t claiming omniscience; she’s claiming lived evidence. That softens the statement while making it harder to argue with, because it’s framed as observation rather than ideology. You can disagree with her conclusion, but you’d have to challenge her experience.
The word “moved” does the heavy lifting. It’s not “likes,” not “understands,” not “has good taste.” It’s physiological and emotional at once: goosebumps, memory, grief, release. Garrett’s subtext is democratic, almost mischievously so. In a culture that treats music as a status marker (classical versus pop, “serious” versus “guilty pleasure”), she collapses the hierarchy. “Of some kind” is the escape hatch that makes the claim expansive: opera, hymn, grime, a football chant, a lullaby. The point isn’t genre; it’s the human reflex to rhythm and melody.
Context matters: coming from an operatic soprano who has bridged high culture and mainstream broadcasting, it also reads as a gentle argument for accessibility. She’s insisting that no audience is hopeless, no listener is beyond reach. Underneath the warmth is a professional thesis: if you can find the right doorway, everyone has a song that gets in.
The word “moved” does the heavy lifting. It’s not “likes,” not “understands,” not “has good taste.” It’s physiological and emotional at once: goosebumps, memory, grief, release. Garrett’s subtext is democratic, almost mischievously so. In a culture that treats music as a status marker (classical versus pop, “serious” versus “guilty pleasure”), she collapses the hierarchy. “Of some kind” is the escape hatch that makes the claim expansive: opera, hymn, grime, a football chant, a lullaby. The point isn’t genre; it’s the human reflex to rhythm and melody.
Context matters: coming from an operatic soprano who has bridged high culture and mainstream broadcasting, it also reads as a gentle argument for accessibility. She’s insisting that no audience is hopeless, no listener is beyond reach. Underneath the warmth is a professional thesis: if you can find the right doorway, everyone has a song that gets in.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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